1 00:00:04,067 --> 00:00:05,400 PREVIOUSLY ON LOVE and HIP-HOP: 2 00:00:05,400 --> 00:00:06,100 ATLANTA... 3 00:00:06,100 --> 00:00:07,000 THIS IS WHAT I'M TALKING 4 00:00:07,000 --> 00:00:07,667 ABOUT. 5 00:00:07,667 --> 00:00:08,733 WE DO A NICE CENTERFOLD 6 00:00:08,733 --> 00:00:09,400 PULLOUT. 7 00:00:09,400 --> 00:00:10,067 THAT'S HOT. 8 00:00:10,067 --> 00:00:11,133 THAT WOULD BE GOOD. 9 00:00:11,133 --> 00:00:12,433 WHERE ARE YOU GOING, KID? 10 00:00:12,433 --> 00:00:13,967 I'M OUT OF HERE, STEVIE. 11 00:00:13,967 --> 00:00:14,767 I NEED A BREAK. 12 00:00:14,767 --> 00:00:15,567 I KNOW YOU'RE NOT TALKING 13 00:00:15,567 --> 00:00:16,633 ABOUT THAT ALTHEA STUFF. 14 00:00:16,633 --> 00:00:17,600 YES, I'M TALKING ABOUT THE-- 15 00:00:17,600 --> 00:00:20,200 I NEVER HAD SEX WITH HER. 16 00:00:20,200 --> 00:00:21,133 I DON'T BELIEVE YOU. 17 00:00:21,133 --> 00:00:21,833 I DIDN'T. 18 00:00:21,833 --> 00:00:23,233 OH, MY GOD. 19 00:00:23,233 --> 00:00:24,333 THE MIMI SITUATION. 20 00:00:24,333 --> 00:00:25,467 THE BITCH GOT A SEX TAPE. 21 00:00:25,467 --> 00:00:26,833 OH, MY GOD. 22 00:00:26,833 --> 00:00:28,300 WHO'S THE CAMERAMAN? 23 00:00:28,300 --> 00:00:29,400 THERE'S NO CAMERAMAN. 24 00:00:29,400 --> 00:00:30,467 SO THERE'S NO THIRD PERSON. 25 00:00:30,467 --> 00:00:31,133 NO. 26 00:00:31,133 --> 00:00:32,400 BITCH, THAT'S A REAL ONE. 27 00:00:32,400 --> 00:00:33,233 YEAH. 28 00:00:33,233 --> 00:00:34,000 THAT'S YOUR FRIEND. 29 00:00:34,000 --> 00:00:35,100 THIS IS A PRODUCTION. 30 00:00:35,100 --> 00:00:36,167 IT'S A LITTLE GIRL 31 00:00:36,167 --> 00:00:37,733 THAT GOT TO DEAL WITH THIS. 32 00:00:37,733 --> 00:00:38,700 A LITTLE GIRL. 33 00:00:38,700 --> 00:00:40,400 I TOLD HER ABOUT THAT MAN, 34 00:00:40,400 --> 00:00:41,233 BUT SHE DID NOT WANT 35 00:00:41,233 --> 00:00:42,033 TO LISTEN TO ME. 36 00:00:42,033 --> 00:00:42,800 JUST TRYING TO COME 37 00:00:42,800 --> 00:00:43,833 SEE ME AND GIVE ME A PUPPY? 38 00:00:43,833 --> 00:00:44,900 JUST SHOWING MY GRATITUDE 39 00:00:44,900 --> 00:00:45,567 AND MY LOVE FOR YOU. 40 00:00:45,567 --> 00:00:46,233 YOU FEEL ME? 41 00:00:46,233 --> 00:00:46,900 MM-HMM. 42 00:00:46,900 --> 00:00:47,800 I WANT TO BE SOMEONE 43 00:00:47,800 --> 00:00:48,900 ON SOME KIND OF LEVEL. 44 00:00:48,900 --> 00:00:49,567 BUT YOU DON'T KNOW 45 00:00:49,567 --> 00:00:50,900 WHAT THAT LEVEL IS. 46 00:00:50,900 --> 00:00:52,000 I JUST NEED TO BE CLEAR 47 00:00:52,000 --> 00:00:53,100 ON WHAT YOU WANT 48 00:00:53,100 --> 00:00:54,133 AND WHY YOU HERE. 49 00:00:54,133 --> 00:00:54,800 WE GONNA HAVE SEX? 50 00:00:54,800 --> 00:00:56,433 NO, WE'RE NOT GONNA HAVE SEX. 51 00:00:56,433 --> 00:00:57,100 HUH? 52 00:00:57,100 --> 00:00:57,767 YOU GOT TO TAKE ME 53 00:00:57,767 --> 00:00:58,733 ON A GANG OF DATES 54 00:00:58,733 --> 00:01:00,800 BEFORE WE GET IT POPPING AGAIN. 55 00:01:02,167 --> 00:01:03,800 * THIS IS THE LIFE 56 00:01:03,800 --> 00:01:04,733 ♪ THIS IS THE LIFE 57 00:01:04,733 --> 00:01:05,400 * YEAH 58 00:01:05,400 --> 00:01:06,133 * THIS IS THE LIFE 59 00:01:06,133 --> 00:01:07,067 ♪ THIS IS THE LIFE 60 00:01:07,067 --> 00:01:07,700 * 'SUP ♪ 61 00:01:07,700 --> 00:01:08,567 * THIS IS THE LIFE 62 00:01:08,567 --> 00:01:09,600 ♪ THIS IS THE LIFE 63 00:01:09,600 --> 00:01:10,267 * HUH 64 00:01:10,267 --> 00:01:10,967 * THIS IS THE LIFE 65 00:01:10,967 --> 00:01:14,133 ♪ THIS IS THE LIFE 66 00:01:14,133 --> 00:01:14,800 * HUH 67 00:01:14,800 --> 00:01:15,700 ♪ THERE AIN'T NOTHING LIKE ♪ 68 00:01:15,700 --> 00:01:16,800 ♪ HIP-HOP MUSIC 69 00:01:16,800 --> 00:01:18,133 ♪ MUSIC 70 00:01:18,133 --> 00:01:19,133 * THIS IS THE LIFE 71 00:01:19,133 --> 00:01:23,467 ♪ THIS IS THE LIFE 72 00:01:31,267 --> 00:01:34,367 [laughs] 73 00:01:34,367 --> 00:01:35,367 OH, MY GOD, 74 00:01:35,367 --> 00:01:36,667 THIS IS HILARIOUS. 75 00:01:36,667 --> 00:01:39,700 I'M SO OVERWHELMED WITH THIS. 76 00:01:39,700 --> 00:01:40,733 I TRIED MY BEST 77 00:01:40,733 --> 00:01:41,800 TO PREPARE FOR THIS MOMENT, 78 00:01:41,800 --> 00:01:44,100 BUT I HAD NO IDEA. 79 00:01:44,100 --> 00:01:45,433 NIKKO AND MY SEX TAPE WAS JUST 80 00:01:45,433 --> 00:01:46,800 RELEASED A COUPLE OF DAYS AGO, 81 00:01:46,800 --> 00:01:49,600 AND THE WORLD HAS GONE CRAZY. 82 00:01:49,600 --> 00:01:51,733 MISCELLANEOUS PEOPLE CALLING ME. 83 00:01:51,733 --> 00:01:52,767 I'VE GOT, LIKE, 70-- 84 00:01:52,767 --> 00:01:53,433 DON'T ANSWER IT. 85 00:01:53,433 --> 00:01:55,233 I'M NOT, BUT I'M-- 86 00:01:55,233 --> 00:01:56,433 I NEED A NEW NUMBER, NUMBER ONE. 87 00:01:56,433 --> 00:01:57,100 I SWEAR. 88 00:01:57,100 --> 00:01:57,867 YEAH, WE NEED TO GO GET YOU 89 00:01:57,867 --> 00:01:58,900 A NEW NUMBER TODAY AFTER I 90 00:01:58,900 --> 00:02:01,300 FINISH READING THESE COMMENTS. 91 00:02:01,300 --> 00:02:01,967 WHAT COMMENTS? 92 00:02:01,967 --> 00:02:02,633 WE'RE TRENDING. 93 00:02:02,633 --> 00:02:03,300 WE'RE THE BIGGEST THING 94 00:02:03,300 --> 00:02:03,967 IN THE WHOLE WORLD. 95 00:02:03,967 --> 00:02:04,867 I KNOW WE'RE TRENDING, NIKKO, 96 00:02:04,867 --> 00:02:06,167 BUT LOOK WHAT THEY'RE SAYING. 97 00:02:06,167 --> 00:02:07,733 WE WENT VIRAL, BABE. 98 00:02:07,733 --> 00:02:08,767 SO FOR EVERYBODY 99 00:02:08,767 --> 00:02:10,700 TO BE JUDGING AND TALKING TRASH 100 00:02:10,700 --> 00:02:12,200 AND THIS, THAT, AND OTHER, 101 00:02:12,200 --> 00:02:13,900 IT'S [bleep] ME UP. 102 00:02:13,900 --> 00:02:16,067 IT'S UNREAL TO SEE MY NAME 103 00:02:16,067 --> 00:02:17,933 TRENDING ON SOCIAL MEDIA. 104 00:02:17,933 --> 00:02:19,367 "MIMI SHOWER ROD" 105 00:02:19,367 --> 00:02:21,200 EVEN HAS ITS OWN HANDLE. 106 00:02:21,200 --> 00:02:22,333 AND WHILE THIS IS ALL FUN 107 00:02:22,333 --> 00:02:23,400 AND GAMES, 108 00:02:23,400 --> 00:02:24,333 PEOPLE ARE ATTACKING ME 109 00:02:24,333 --> 00:02:25,733 AND CALLING ME AN UNFIT MOTHER. 110 00:02:25,733 --> 00:02:26,433 I JUST DON'T KNOW 111 00:02:26,433 --> 00:02:27,567 HOW TO DEAL WITH ALL THIS. 112 00:02:27,567 --> 00:02:28,700 I DON'T. 113 00:02:28,700 --> 00:02:29,367 I NEED TO SHOW 114 00:02:29,367 --> 00:02:30,333 YOU THESE COMMENTS. 115 00:02:30,333 --> 00:02:32,067 THIS IS FROM JOSELINE. 116 00:02:32,067 --> 00:02:33,067 I CALLED HER THE HORSE. 117 00:02:33,067 --> 00:02:34,833 OH, JESUS. 118 00:02:34,833 --> 00:02:35,867 "IF YOU'RE GOING TO [bleep] 119 00:02:35,867 --> 00:02:36,733 ON CAMERA, 120 00:02:36,733 --> 00:02:37,867 AT LEAST BE A FREAK, 121 00:02:37,867 --> 00:02:39,800 NOT A BORING 45-YEAR-OLD LADY." 122 00:02:39,800 --> 00:02:41,167 WAIT A MINUTE. 123 00:02:41,167 --> 00:02:41,833 SHE'S SAYING 124 00:02:41,833 --> 00:02:42,700 THAT YOU'RE DOING GRANNY PORN. 125 00:02:42,700 --> 00:02:43,733 SHE'S THAT MAD? WELL, 126 00:02:43,733 --> 00:02:45,067 WE NEED TO MAKE HER MADDER. 127 00:02:45,067 --> 00:02:45,967 NO, YOU KNOW WHAT? 128 00:02:45,967 --> 00:02:46,633 JOSELINE GOT... 129 00:02:46,633 --> 00:02:47,300 HOLD UP. 130 00:02:47,300 --> 00:02:48,467 MORE MILES ON HER [bleep] 131 00:02:48,467 --> 00:02:50,200 THAN EIGHT OF ME-- 132 00:02:50,200 --> 00:02:50,900 YEAH, SHE'S FINISHED. 133 00:02:50,900 --> 00:02:51,567 OKAY? 134 00:02:51,567 --> 00:02:53,500 SO LET'S DO THE MATH ON THAT. 135 00:02:53,500 --> 00:02:54,833 ONE OF THE REASONS WHY I SIGNED 136 00:02:54,833 --> 00:02:56,567 THE CONTRACT IN THE FIRST PLACE 137 00:02:56,567 --> 00:02:58,200 IS BECAUSE JOSELINE TAUGHT ME 138 00:02:58,200 --> 00:02:59,567 WHAT NOT TO DO. 139 00:02:59,567 --> 00:03:00,567 HER NAKED ASS IS 140 00:03:00,567 --> 00:03:03,067 ALL OVER THE INTERNET FOR FREE 141 00:03:03,067 --> 00:03:06,067 AND DIDN'T MAKE ONE RED CENT. 142 00:03:06,067 --> 00:03:07,333 WHAT THIS GUY STEVIE JORDAN'S 143 00:03:07,333 --> 00:03:08,167 TALKING--WHAT IS HE TALKING 144 00:03:08,167 --> 00:03:09,600 ABOUT? 145 00:03:09,600 --> 00:03:10,900 YO, THIS IS FUNNY. 146 00:03:10,900 --> 00:03:12,767 "YOU HANGING FROM 147 00:03:12,767 --> 00:03:14,300 SHOWER CURTAINS NOW?" 148 00:03:14,300 --> 00:03:14,967 WHAT IS HE DOING? 149 00:03:14,967 --> 00:03:15,633 I NEVER HUNG 150 00:03:15,633 --> 00:03:17,567 FROM A SHOWER CURTAIN WITH YOU. 151 00:03:17,567 --> 00:03:18,733 NEVER EVER WILL YOU. 152 00:03:18,733 --> 00:03:20,333 HE'S MAD. THESE GUYS ARE MAD. 153 00:03:20,333 --> 00:03:22,467 LIKE, WE SELLING SHOWER RODS. 154 00:03:22,467 --> 00:03:23,267 DO YOU UNDERSTAND? 155 00:03:23,267 --> 00:03:24,167 YOU'RE A SHOWER ROD 156 00:03:24,167 --> 00:03:25,867 SURFER RIGHT NOW. 157 00:03:25,867 --> 00:03:26,633 BUT HEY, YOU GOT TO GIVE 158 00:03:26,633 --> 00:03:27,400 ME SOME CREDIT TOO, 'CAUSE 159 00:03:27,400 --> 00:03:28,167 I KIND OF--I WAS-- 160 00:03:28,167 --> 00:03:28,833 NO, I GOT TO GIVE 161 00:03:28,833 --> 00:03:29,500 YOU SOME CREDIT. 162 00:03:29,500 --> 00:03:30,167 I WAS SUPPORT 163 00:03:30,167 --> 00:03:31,333 FOR HOLDING YOUR ASS UP. 164 00:03:31,333 --> 00:03:32,367 [laughing] 165 00:03:32,367 --> 00:03:33,133 YOU WOULDN'T HAVE BEEN 166 00:03:33,133 --> 00:03:33,833 HOLDING ONTO THAT POLE 167 00:03:33,833 --> 00:03:35,067 IF I WASN'T HOLDING YOUR ASS UP. 168 00:03:35,067 --> 00:03:36,567 LET'S KEEP IT REAL. 169 00:03:36,567 --> 00:03:38,200 NIKKO MAY GET ON MY NERVES, 170 00:03:38,200 --> 00:03:39,367 BUT HE'S BEEN HERE 171 00:03:39,367 --> 00:03:40,767 THROUGH ALL THIS BULL[bleep]. 172 00:03:40,767 --> 00:03:42,100 PEOPLE CAN SAY WHAT THEY WANT, 173 00:03:42,100 --> 00:03:43,100 BUT I DON'T KNOW HOW I 174 00:03:43,100 --> 00:03:43,967 WOULD HAVE GOTTEN THROUGH THIS 175 00:03:43,967 --> 00:03:45,533 WITHOUT HIM. 176 00:03:45,533 --> 00:03:47,567 GET OFF THOSE [bleep] BLOGS. 177 00:03:47,567 --> 00:03:49,667 I GOT TO READ ONE MORE. 178 00:03:49,667 --> 00:03:50,633 IT'S A LOT OF 'EM HERE. 179 00:03:50,633 --> 00:03:51,300 YOU'RE SICK. 180 00:03:51,300 --> 00:03:52,200 THEY GOT SOME DOPE [bleep]. 181 00:03:52,200 --> 00:03:53,300 I'M ACTUALLY MAKING THE RECORD 182 00:03:53,300 --> 00:03:55,700 TONIGHT TO SHOWER ROD. 183 00:03:55,700 --> 00:03:57,700 LOVE IT. 184 00:04:03,533 --> 00:04:04,500 * CAN YOU PLEASE 185 00:04:04,500 --> 00:04:05,867 ♪ FORGIVE ME 186 00:04:05,867 --> 00:04:06,600 ♪ YEAH 187 00:04:06,600 --> 00:04:09,733 ♪ AND GIVE ME ONE MORE CHANCE 188 00:04:09,733 --> 00:04:11,433 ♪ I NEVER THOUGHT THAT I 189 00:04:11,433 --> 00:04:12,833 ♪ WOULD BE THE GIRL 190 00:04:12,833 --> 00:04:14,567 ♪ WHO HURT YOU THE MOST 191 00:04:14,567 --> 00:04:16,467 ♪ IT'S ALL ON ME ♪ 192 00:04:16,467 --> 00:04:18,267 ♪ TO [bleep] IT UP 193 00:04:18,267 --> 00:04:19,267 ♪ ALL YOU WANTED TO DO 194 00:04:19,267 --> 00:04:21,133 ♪ WAS LOVE ME 195 00:04:21,133 --> 00:04:23,167 ♪ CLOSING MY EYES WHEN I SAID 196 00:04:23,167 --> 00:04:26,333 ♪ OH, NO, NO, NO 197 00:04:26,333 --> 00:04:27,067 THAT'S THE REAL TALK. 198 00:04:27,067 --> 00:04:27,800 THAT'S THE SONG, RIGHT? 199 00:04:27,800 --> 00:04:28,467 RIGHT. 200 00:04:28,467 --> 00:04:29,133 THAT'S THE-- 201 00:04:29,133 --> 00:04:30,133 YES, IT'S GOOD 202 00:04:30,133 --> 00:04:31,267 TO BE BACK IN THE STUDIO 203 00:04:31,267 --> 00:04:32,567 HANDLING BUSINESS WITH KALENNA. 204 00:04:32,567 --> 00:04:33,567 I'VE BEEN SO FOCUSED 205 00:04:33,567 --> 00:04:34,400 ON EVERYTHING THAT'S BEEN 206 00:04:34,400 --> 00:04:35,767 GOING ON WITH ME AND KIRK 207 00:04:35,767 --> 00:04:36,933 THAT I HADN'T HAD THE CHANCE 208 00:04:36,933 --> 00:04:38,467 TO GET THE REAL T FROM MY GIRL 209 00:04:38,467 --> 00:04:39,133 WHAT'S BEEN 210 00:04:39,133 --> 00:04:40,367 GOING ON WITH HER AND TONY 211 00:04:40,367 --> 00:04:41,667 AND THEIR LITTLE SIDE CHICK. 212 00:04:41,667 --> 00:04:43,067 WHAT'S BEEN GOING ON? 213 00:04:43,067 --> 00:04:43,833 [bleep] BEEN A LITTLE CRAZY 214 00:04:43,833 --> 00:04:44,700 BETWEEN ME AND TONY. 215 00:04:44,700 --> 00:04:46,167 WHERE'S Y'ALL RELATIONSHIP 216 00:04:46,167 --> 00:04:47,633 AT NOW, LIKE... 217 00:04:47,633 --> 00:04:49,200 WELL, ASHLEY WENT HOME. 218 00:04:49,200 --> 00:04:50,267 I SENT HER HOME 219 00:04:50,267 --> 00:04:51,067 BECAUSE I FEEL LIKE, 220 00:04:51,067 --> 00:04:52,533 YOU KNOW, ME AND TONY 221 00:04:52,533 --> 00:04:53,633 NEED TO GET BACK TO ONE. 222 00:04:53,633 --> 00:04:55,233 WAS IT PHYSICAL? 223 00:04:55,233 --> 00:04:55,900 YEP. 224 00:04:55,900 --> 00:04:57,800 YOU LITTLE BISEXUAL 225 00:04:57,800 --> 00:04:58,567 FREAKY-ASS BITCH. 226 00:04:58,567 --> 00:04:59,333 I CAN'T DEAL. 227 00:04:59,333 --> 00:05:00,167 YOU BETTER KNOW IT. 228 00:05:00,167 --> 00:05:00,900 WE TURNING UP. 229 00:05:00,900 --> 00:05:01,867 WE HIT THE STRIP CLUB, 230 00:05:01,867 --> 00:05:03,067 WILDING OUT AND EVERYTHING. 231 00:05:03,067 --> 00:05:04,467 I MEAN--BUT WHILE THIS [bleep] 232 00:05:04,467 --> 00:05:05,633 IS GOING ON, RASHEEDA, 233 00:05:05,633 --> 00:05:06,300 I'M RIDING AROUND 234 00:05:06,300 --> 00:05:06,967 WITH MY HOMEGIRL 235 00:05:06,967 --> 00:05:08,600 LOOKING LIKE I'M NOT SUPPOSED 236 00:05:08,600 --> 00:05:09,267 TO BE HERE. 237 00:05:09,267 --> 00:05:10,567 RIGHT. WE AIN'T TEENAGERS. 238 00:05:10,567 --> 00:05:11,733 AND SO WHEN I STARTED 239 00:05:11,733 --> 00:05:12,633 SEEING THAT [bleep] GO LEFT, 240 00:05:12,633 --> 00:05:13,600 I'M LIKE, THIS IS NOT COOL. 241 00:05:13,600 --> 00:05:14,267 RIGHT. 242 00:05:14,267 --> 00:05:15,067 YOU KNOW WHAT I'M SAYING? 243 00:05:15,067 --> 00:05:15,700 LET ME BE A BIG GIRL 244 00:05:15,700 --> 00:05:16,600 ABOUT THIS [bleep] AND BE LIKE, 245 00:05:16,600 --> 00:05:17,267 "LITTLE ASHLEY, 246 00:05:17,267 --> 00:05:18,433 YOU GOT TO TAKE YOUR ASS HOME." 247 00:05:18,433 --> 00:05:19,100 RIGHT. 248 00:05:19,100 --> 00:05:20,833 CLEARLY, I HAVE MISSED A LOT. 249 00:05:20,833 --> 00:05:22,133 KALENNA BEEN TURNING UP, 250 00:05:22,133 --> 00:05:23,967 GETTING DOWN, BREAKING UP, 251 00:05:23,967 --> 00:05:24,900 AND MAKING UP. 252 00:05:24,900 --> 00:05:26,233 BUT IT SEEMS LIKE SHE'S READY 253 00:05:26,233 --> 00:05:27,467 TO PUT HER MARRIAGE FIRST. 254 00:05:27,467 --> 00:05:29,167 AND I CAN ONLY RESPECT THAT. 255 00:05:29,167 --> 00:05:31,267 SO CHECK THIS OUT. 256 00:05:31,267 --> 00:05:33,067 I GOT A SURPRISE FOR YOU. 257 00:05:33,067 --> 00:05:35,067 WHAT? 258 00:05:35,067 --> 00:05:38,067 I'M PREGNANT. 259 00:05:38,067 --> 00:05:39,567 GIRL... 260 00:05:39,567 --> 00:05:40,900 SO I TOOK A PREGNANCY TEST, 261 00:05:40,900 --> 00:05:41,567 AND IT REVEALED 262 00:05:41,567 --> 00:05:42,233 THAT I WAS PREGNANT 263 00:05:42,233 --> 00:05:43,933 WITH MY SECOND CHILD WITH TONY. 264 00:05:43,933 --> 00:05:44,600 WITH EVERYTHING 265 00:05:44,600 --> 00:05:45,467 THAT WE HAVE GOING ON, 266 00:05:45,467 --> 00:05:46,900 IT'S NOT A GREAT TIME. 267 00:05:46,900 --> 00:05:48,067 BUT I RECOGNIZE THE BLESSING. 268 00:05:48,067 --> 00:05:48,900 LIKE, I'M HAPPY, 269 00:05:48,900 --> 00:05:50,067 BUT I'M LOW-KEY STRESSED OUT. 270 00:05:50,067 --> 00:05:51,800 LIKE-- 271 00:05:51,800 --> 00:05:53,700 WHAT DOES TONY THINK? 272 00:05:53,700 --> 00:05:55,200 HE DON'T KNOW YET. 273 00:05:55,200 --> 00:05:55,867 OH. 274 00:05:55,867 --> 00:05:56,700 YOU'RE THE FIRST PERSON 275 00:05:56,700 --> 00:05:57,567 I'M TELLING. 276 00:05:57,567 --> 00:05:58,267 I JUST DON'T WANT HIM 277 00:05:58,267 --> 00:05:59,533 TO BE STRESSED OUT. 278 00:05:59,533 --> 00:06:00,667 WHEN I FOUND OUT, 279 00:06:00,667 --> 00:06:01,900 EVERYTHING START GOING 280 00:06:01,900 --> 00:06:04,467 THROUGH MY MIND, LIKE MY MONEY, 281 00:06:04,467 --> 00:06:06,667 MY CAREER, MY ALBUM. 282 00:06:06,667 --> 00:06:07,333 HOW'S THIS GONNA 283 00:06:07,333 --> 00:06:08,067 AFFECT ME AND TONY? 284 00:06:08,067 --> 00:06:09,067 HOLD ON, I'M SCARED BECAUSE 285 00:06:09,067 --> 00:06:10,800 THE LAST TIME I WAS PREGNANT, 286 00:06:10,800 --> 00:06:11,900 THIS MOTHER[bleep] ACT 287 00:06:11,900 --> 00:06:13,100 LIKE HE LOST HIS MIND. 288 00:06:13,100 --> 00:06:13,833 WHEN I WAS PREGNANT 289 00:06:13,833 --> 00:06:14,933 WITH MY FIRST SON, 290 00:06:14,933 --> 00:06:16,067 TONY WASN'T QUITE READY 291 00:06:16,067 --> 00:06:16,767 TO BE COMMITTED 292 00:06:16,767 --> 00:06:17,500 TO A RELATIONSHIP 293 00:06:17,500 --> 00:06:18,400 THAT I WAS LOOKING FOR. 294 00:06:18,400 --> 00:06:19,667 HE STEPPED OUT ON ME. 295 00:06:19,667 --> 00:06:20,900 HE CHEATED ON ME. 296 00:06:20,900 --> 00:06:21,833 TONY HAS NO IDEA 297 00:06:21,833 --> 00:06:22,900 ABOUT THIS BABY. 298 00:06:22,900 --> 00:06:24,333 ALL HE WANTS TO DO IS BE SOLELY 299 00:06:24,333 --> 00:06:25,833 FOCUSED ON THIS BUSINESS 300 00:06:25,833 --> 00:06:26,700 AND THE STUDIO. 301 00:06:26,700 --> 00:06:28,333 THIS IS KIND OF A MAJOR WRENCH 302 00:06:28,333 --> 00:06:30,133 IN OUR MASTER PLAN. 303 00:06:30,133 --> 00:06:31,433 I JUST HOPE HE TAKES IT WELL. 304 00:06:31,433 --> 00:06:32,400 I'M NOT GONNA LIE TO YOU. 305 00:06:32,400 --> 00:06:34,200 IT'S NOT A EASY THING 306 00:06:34,200 --> 00:06:35,600 TO BE PREGNANT, 307 00:06:35,600 --> 00:06:36,967 BE WORKING ON YOUR MUSIC, 308 00:06:36,967 --> 00:06:38,533 TRYING TO JUGGLE EVERYTHING, 309 00:06:38,533 --> 00:06:40,067 KEEPING YOUR MARRIAGE INTACT. 310 00:06:40,067 --> 00:06:41,367 IT IS GONNA BE TOUGH, 311 00:06:41,367 --> 00:06:42,600 BUT YOU CAN DEAL WITH IT. 312 00:06:42,600 --> 00:06:43,433 FIRST OF ALL, 313 00:06:43,433 --> 00:06:44,800 YOU NEED TO TELL YOUR HUSBAND, 314 00:06:44,800 --> 00:06:45,967 BECAUSE YOU GUYS ARE GONNA HAVE 315 00:06:45,967 --> 00:06:47,567 TO TRY TO GET PREPARED. 316 00:06:47,567 --> 00:06:50,667 Y'ALL AS A TEAM, FIGURE IT OUT. 317 00:06:50,667 --> 00:06:51,733 I GOT YOU. 318 00:06:51,733 --> 00:06:52,633 AND IF HE ACT ANYTHING 319 00:06:52,633 --> 00:06:53,300 LIKE KIRK, 320 00:06:53,300 --> 00:06:55,167 WE GONNA PUT A BAG OVER HIS HEAD 321 00:06:55,167 --> 00:06:56,767 AND DRAG HIS DOWN. 322 00:06:56,767 --> 00:06:57,800 PEACH TREE, BITCH. 323 00:06:57,800 --> 00:06:58,467 DO YOU HEAR ME? 324 00:06:58,467 --> 00:06:59,533 IT'S OVER, OKAY? 325 00:06:59,533 --> 00:07:01,333 YOU HEAR ME, RIGHT? 326 00:07:01,333 --> 00:07:02,333 [driving electronic music] 327 00:07:02,333 --> 00:07:10,333 ♪ 328 00:07:23,333 --> 00:07:24,633 YOU KNOW, I HAD A GREAT TIME 329 00:07:24,633 --> 00:07:25,633 IN NEW YORK [bleep] 330 00:07:25,633 --> 00:07:26,733 WITH K. MICHELLE, WORKING 331 00:07:26,733 --> 00:07:28,267 ON SOME MUSIC WITHOUT STEVIE. 332 00:07:28,267 --> 00:07:29,100 I HAVEN'T SEEN THIS 333 00:07:29,100 --> 00:07:30,100 MOTHER[bleep] SINCE I BE HOME. 334 00:07:30,100 --> 00:07:30,767 SEE, THE THING IS, 335 00:07:30,767 --> 00:07:31,700 PLAYTIME IS OVER. 336 00:07:31,700 --> 00:07:33,067 I GOT MY PERFORMANCE COMING UP, 337 00:07:33,067 --> 00:07:33,867 AND I DON'T HAVE TIME 338 00:07:33,867 --> 00:07:34,733 FOR NOTHING ELSE 339 00:07:34,733 --> 00:07:35,767 BUT TO GET THAT PERFORMANCE 340 00:07:35,767 --> 00:07:37,767 TOGETHER AND TO ROCK THE STAGE. 341 00:07:40,067 --> 00:07:41,900 WHAT'S GOING ON, MA? 342 00:07:41,900 --> 00:07:42,567 WHAT'S UP? 343 00:07:42,567 --> 00:07:43,233 AIN'T NOTHING. 344 00:07:43,233 --> 00:07:43,900 WHY YOU HERE? 345 00:07:43,900 --> 00:07:44,567 WHAT'S UP? 346 00:07:44,567 --> 00:07:45,333 'CAUSE I'M GOING HOME. 347 00:07:45,333 --> 00:07:46,133 HOLD ON. WAIT, WAIT, WAIT. 348 00:07:46,133 --> 00:07:46,800 CHECK THIS OUT. 349 00:07:46,800 --> 00:07:47,500 DON'T TOUCH ME. 350 00:07:47,500 --> 00:07:48,200 I AIN'T EVEN SEE YOU 351 00:07:48,200 --> 00:07:48,900 SINCE I'VE BEEN BACK. 352 00:07:48,900 --> 00:07:49,567 I DON'T GIVE A DAMN. 353 00:07:49,567 --> 00:07:50,233 CAN I JUST 354 00:07:50,233 --> 00:07:50,900 TELL YOU ONE THING? 355 00:07:50,900 --> 00:07:51,633 TELL ME HOW YOU'RE GONNA 356 00:07:51,633 --> 00:07:52,400 GET YOUR [bleep] TOGETHER. 357 00:07:52,400 --> 00:07:53,067 HOLD ON. CAN I-- 358 00:07:53,067 --> 00:07:53,733 AH. 359 00:07:53,733 --> 00:07:54,400 I DON'T WANT TO HEAR. 360 00:07:54,400 --> 00:07:55,067 I MISS YOU. 361 00:07:55,067 --> 00:07:55,733 AND I'M SORRY-- 362 00:07:55,733 --> 00:07:56,400 CAN I GET A HUG? 363 00:07:56,400 --> 00:07:57,100 YOU WON'T BE TOUCHING 364 00:07:57,100 --> 00:07:58,067 THIS FOR--I DON'T KNOW HOW LONG. 365 00:07:58,067 --> 00:07:58,800 I DON'T WANT NO PARTS OF THAT. 366 00:07:58,800 --> 00:07:59,467 I NEED TO TOUCH 367 00:07:59,467 --> 00:08:00,200 YOU RIGHT NOW. 368 00:08:00,200 --> 00:08:01,067 ESPECIALLY WITH THAT RIGHT 369 00:08:01,067 --> 00:08:01,700 THERE. 370 00:08:01,700 --> 00:08:02,567 I DON'T KNOW WHERE THAT BEEN AT. 371 00:08:02,567 --> 00:08:03,733 AIN'T NO TELLING WHAT'S 372 00:08:03,733 --> 00:08:04,467 COMING OUT THAT BEEFCAKE. 373 00:08:04,467 --> 00:08:05,300 WHAT ARE WE TALKING ABOUT? 374 00:08:05,300 --> 00:08:06,067 WE TALKING ABOUT HOW YOU 375 00:08:06,067 --> 00:08:07,200 [bleep] UP. 376 00:08:07,200 --> 00:08:07,967 I KNOW WE'RE NOT TALKING 377 00:08:07,967 --> 00:08:08,800 ABOUT THIS GIRL ALTHEA AGAIN, 378 00:08:08,800 --> 00:08:09,467 ARE WE? 379 00:08:09,467 --> 00:08:10,533 YES, THAT BITCH. 380 00:08:10,533 --> 00:08:11,300 THAT BITCH AND ALL THE OTHER 381 00:08:11,300 --> 00:08:12,500 BITCHES ON YOUR [bleep] PHONE, 382 00:08:12,500 --> 00:08:13,767 YOU DIRTBAG. YOU [bleep]-- 383 00:08:13,767 --> 00:08:14,433 I DID-- 384 00:08:14,433 --> 00:08:15,200 YOU [bleep] LIKE [bleep] 385 00:08:15,200 --> 00:08:15,867 EVERYBODY. 386 00:08:15,867 --> 00:08:16,533 I HAVEN'T BEEN 387 00:08:16,533 --> 00:08:17,533 HAVING SEX THESE DAYS. 388 00:08:17,533 --> 00:08:18,300 WE HAVEN'T BEEN HAVING SEX. 389 00:08:18,300 --> 00:08:19,233 I DON'T BELIEVE YOU. 390 00:08:19,233 --> 00:08:19,900 ARE YOU GONNA BRING ME 391 00:08:19,900 --> 00:08:20,700 BACK A DISEASE? 392 00:08:20,700 --> 00:08:21,400 'CAUSE I DON'T TRUST 393 00:08:21,400 --> 00:08:22,067 WHAT YOU BE DOING. 394 00:08:22,067 --> 00:08:22,733 YEAH, IT'S CALLED 395 00:08:22,733 --> 00:08:23,633 MONEY-ITIS. 396 00:08:23,633 --> 00:08:24,433 I'M TELLING YOU, STEVIE, 397 00:08:24,433 --> 00:08:25,300 IF YOU BRING ME BACK 398 00:08:25,300 --> 00:08:26,733 SOMETHING, THAT'S YOUR ASS. 399 00:08:26,733 --> 00:08:27,867 YOU GONNA BE SIX FEET [bleep] 400 00:08:27,867 --> 00:08:28,900 UNDER, AND I'MA BE 401 00:08:28,900 --> 00:08:29,567 IN THE FIRST 48. 402 00:08:29,567 --> 00:08:31,233 I'M TELLING YOU, YOU BETTER NOT 403 00:08:31,233 --> 00:08:32,200 KEEP THINKING IT'S A JOKE. 404 00:08:32,200 --> 00:08:33,067 I HOPE YOU'RE WEARING CONDOMS 405 00:08:33,067 --> 00:08:33,733 WITH THESE BITCHES. 406 00:08:33,733 --> 00:08:34,667 LISTEN, I AIN'T DOING NOTHING 407 00:08:34,667 --> 00:08:35,333 WITH NO CHICKS OUT HERE. 408 00:08:35,333 --> 00:08:36,067 ESPECIALLY BITCHES 409 00:08:36,067 --> 00:08:37,267 THAT [bleep] YOUR HOMIES. 410 00:08:37,267 --> 00:08:38,533 HOW DARE YOU THINK I'MA 411 00:08:38,533 --> 00:08:39,200 BE COOL WITH THAT? 412 00:08:39,200 --> 00:08:40,100 HOW DARE YOU? 413 00:08:40,100 --> 00:08:41,633 I NEVER BANG NOBODY IN THE 414 00:08:41,633 --> 00:08:42,833 TOWN SINCE I'VE BEEN WITH YOU. 415 00:08:42,833 --> 00:08:43,500 [bleep] YOU. 416 00:08:43,500 --> 00:08:44,400 YOU GO AND [bleep] ANOTHER BITCH 417 00:08:44,400 --> 00:08:45,067 WITH YOU. 418 00:08:45,067 --> 00:08:46,167 NO MATTER HOW MANY TIMES 419 00:08:46,167 --> 00:08:47,333 WE HAD THIS CONVERSATION, 420 00:08:47,333 --> 00:08:48,567 JOSELINE, 421 00:08:48,567 --> 00:08:50,133 I DID NOT HAVE SEXUAL RELATIONS 422 00:08:50,133 --> 00:08:51,167 WITH THIS WOMAN. 423 00:08:51,167 --> 00:08:52,833 ARE YOU SERIOUS? 424 00:08:52,833 --> 00:08:53,733 [bleep] YOU AND THAT BITCH. 425 00:08:53,733 --> 00:08:54,400 AND YOU BETTER MOVE 426 00:08:54,400 --> 00:08:55,700 BEFORE I RUN YOUR ASS OVER. 427 00:08:55,700 --> 00:08:57,700 MOVE, [bleep]. 428 00:09:01,867 --> 00:09:02,800 EVERYBODY'S STILL TALKING 429 00:09:02,800 --> 00:09:03,867 ABOUT THAT MIMI TAPE. 430 00:09:03,867 --> 00:09:04,533 I'M THINKING 431 00:09:04,533 --> 00:09:05,467 WE PUT 'EM ON THE COVER. 432 00:09:05,467 --> 00:09:06,400 NO. 433 00:09:06,400 --> 00:09:07,567 THAT WHAT YOU'RE GOING TO DO 434 00:09:07,567 --> 00:09:08,833 IF I DON'T AGREE 435 00:09:08,833 --> 00:09:09,700 TO DO YOUR COVER. 436 00:09:09,700 --> 00:09:10,567 MIMI, YOU LEAVE ME NO CHOICE. 437 00:09:10,567 --> 00:09:11,300 THAT'S WHAT YOU GOING-- 438 00:09:11,300 --> 00:09:12,267 TALK TO MY LAWYER. 439 00:09:12,267 --> 00:09:13,800 THIS IS A JOKE RIGHT THERE? 440 00:09:13,800 --> 00:09:14,467 NO. 441 00:09:14,467 --> 00:09:15,133 SEE THIS? 442 00:09:15,133 --> 00:09:15,800 YEAH. 443 00:09:15,800 --> 00:09:16,533 I'M TALKING ABOUT THIS. 444 00:09:16,533 --> 00:09:17,200 DID YOU KNOW 445 00:09:17,200 --> 00:09:19,500 THIS WAS GOING IN THE COVER? 446 00:09:32,467 --> 00:09:33,133 SLEAZO. 447 00:09:33,133 --> 00:09:34,267 HEY, WHAT'S THE DEAL, BRO? 448 00:09:34,267 --> 00:09:34,933 YEAH. 449 00:09:34,933 --> 00:09:35,600 EVERYTHING GRAVY? 450 00:09:35,600 --> 00:09:36,267 EVERYTHING GOOD. 451 00:09:36,267 --> 00:09:37,500 WHAT'S UP WITH YOU? 452 00:09:37,500 --> 00:09:38,767 HEY, MAN, JUST CHILLING, MAN. 453 00:09:38,767 --> 00:09:39,733 GOT THE SLING OFF, ALL THAT. 454 00:09:39,733 --> 00:09:40,467 YEAH, I'VE BEEN GOING-- 455 00:09:40,467 --> 00:09:41,133 BEEN GOING 456 00:09:41,133 --> 00:09:42,567 TO THAT PHYSICAL THERAPY, MAN. 457 00:09:42,567 --> 00:09:43,500 IT'S GETTING MUCH BETTER, 458 00:09:43,500 --> 00:09:44,167 FOR REAL, MAN. 459 00:09:44,167 --> 00:09:45,533 YEAH, YOU ALL BACK NOW. 460 00:09:45,533 --> 00:09:46,367 YOU HEALING UP. 461 00:09:46,367 --> 00:09:47,567 FEELS GOOD, MAN. 462 00:09:47,567 --> 00:09:48,500 I AIN'T GONNA FRONT, 463 00:09:48,500 --> 00:09:49,533 MAN, [bleep]. 464 00:09:49,533 --> 00:09:50,667 YOU KNOW, I HAVE MY GOOD DAYS 465 00:09:50,667 --> 00:09:52,367 AND MY BAD DAYS WITH MY ARM, 466 00:09:52,367 --> 00:09:53,600 WHICH IS THE REASON WHY I REALLY 467 00:09:53,600 --> 00:09:54,533 WANT TO GET BACK TO WORK 468 00:09:54,533 --> 00:09:55,833 SO I CAN FORGET ABOUT ALL THIS. 469 00:09:55,833 --> 00:09:56,500 SO, YOU KNOW, 470 00:09:56,500 --> 00:09:57,200 I REALLY WANT TO HAVE 471 00:09:57,200 --> 00:09:58,500 THIS CONVERSATION WITH SLEAZO 472 00:09:58,500 --> 00:10:00,033 SO WE CAN REALLY CHOP IT UP. 473 00:10:00,033 --> 00:10:00,967 WHAT'S UP WITH YOU AND JOS? 474 00:10:00,967 --> 00:10:01,767 EVERYTHING COOL? 475 00:10:01,767 --> 00:10:02,767 YOU KNOW, ME AND JOSELINE 476 00:10:02,767 --> 00:10:03,733 GOING THROUGH OUR THING. 477 00:10:03,733 --> 00:10:04,933 SO I WAS JUST LIKE-- 478 00:10:04,933 --> 00:10:05,733 GOING THROUGH--FOR WHAT? 479 00:10:05,733 --> 00:10:07,700 ABOUT THE WHOLE THEA THING 480 00:10:07,700 --> 00:10:08,400 OR WHATEVER, 481 00:10:08,400 --> 00:10:09,600 LIKE, AND IT WASN'T NOTHING. 482 00:10:09,600 --> 00:10:10,767 SO IT'S, LIKE--IT'S-- 483 00:10:10,767 --> 00:10:12,767 MAN, MY THING IS, LET'S JUST 484 00:10:12,767 --> 00:10:15,267 STOP WORRYING ABOUT THE NEGATIVE 485 00:10:15,267 --> 00:10:16,233 AND JUST BE HAPPY 486 00:10:16,233 --> 00:10:16,900 WITH THE POSITIVE. 487 00:10:16,900 --> 00:10:18,467 AND HONE IN ON THE POSITIVE. 488 00:10:18,467 --> 00:10:19,333 [bleep] THAT [bleep]. 489 00:10:19,333 --> 00:10:20,000 KNOW WHAT I'M SAYING? 490 00:10:20,000 --> 00:10:20,933 COME ON, MAN. 491 00:10:20,933 --> 00:10:21,767 MOVE FORWARD, MAN. 492 00:10:21,767 --> 00:10:22,767 SHE KNOWS YOUR LOVE FOR HER, 493 00:10:22,767 --> 00:10:23,433 MAN, LIKE... 494 00:10:23,433 --> 00:10:24,700 YEAH, RUNS SO DEEP. 495 00:10:24,700 --> 00:10:26,200 I JUST WANT THAT HAPPINESS, MAN. 496 00:10:26,200 --> 00:10:27,167 THAT'S ALL I'M STRIVING 497 00:10:27,167 --> 00:10:27,833 FOR, SO... 498 00:10:27,833 --> 00:10:29,033 HEY, MAN, YOU GOT TO DO 499 00:10:29,033 --> 00:10:29,700 WHAT YOU GOT TO DO. 500 00:10:29,700 --> 00:10:30,367 YEAH. 501 00:10:30,367 --> 00:10:31,267 I HATE THAT JOSELINE FEELS 502 00:10:31,267 --> 00:10:32,400 SOME TYPE OF WAY ABOUT 503 00:10:32,400 --> 00:10:34,067 THE ALTHEA AND STEVIE SITUATION. 504 00:10:34,067 --> 00:10:35,533 AND AS FAR AS STEVIE GOES, 505 00:10:35,533 --> 00:10:36,700 SLEAZE, MAN, LOOK, 506 00:10:36,700 --> 00:10:38,233 I WISH YOU'D JUST COME CLEAN. 507 00:10:38,233 --> 00:10:39,467 BUT THAT WAS IN THE PAST. 508 00:10:39,467 --> 00:10:42,033 IT'S ALL ABOUT NOW AND FORWARD. 509 00:10:42,033 --> 00:10:42,967 BUT, YOU KNOW, EVERYBODY'S STILL 510 00:10:42,967 --> 00:10:45,133 TALKING ABOUT THAT MIMI TAPE. 511 00:10:45,133 --> 00:10:45,800 YOU KNOW I'M SAYING? 512 00:10:45,800 --> 00:10:46,467 THE MOST BORING TAPE 513 00:10:46,467 --> 00:10:48,067 IN THE HISTORY OF TAPES? 514 00:10:48,067 --> 00:10:49,000 HEY, LISTEN, 515 00:10:49,000 --> 00:10:49,767 YOU KNOW WHAT I'M SAYING? 516 00:10:49,767 --> 00:10:50,500 WHAT ABOUT THAT? 517 00:10:50,500 --> 00:10:51,167 WHEN WE ALL-- 518 00:10:51,167 --> 00:10:52,367 I MEAN, SHE'S HOT, SLEAZE. 519 00:10:52,367 --> 00:10:53,433 AT THE END OF THE DAY, 520 00:10:53,433 --> 00:10:54,800 YOU GOT TO ADMIT RIGHT NOW 521 00:10:54,800 --> 00:10:55,600 SHE'S THE MOST TALKED 522 00:10:55,600 --> 00:10:58,900 ABOUT WOMAN PROBABLY ON EARTH. 523 00:10:58,900 --> 00:11:00,067 I MEAN, WE GOT TO TAKE ADVANTAGE 524 00:11:00,067 --> 00:11:01,200 OF THAT. 525 00:11:01,200 --> 00:11:02,067 YOU KNOW WHAT I'M THINKING, 526 00:11:02,067 --> 00:11:03,100 I'M THINKING WE DO A COVER, 527 00:11:03,100 --> 00:11:03,933 PUT HER ON THE COVER. 528 00:11:03,933 --> 00:11:04,600 NO. 529 00:11:04,600 --> 00:11:05,267 WHICH WILL MEAN 530 00:11:05,267 --> 00:11:06,667 THIS IS THE BIGGEST STORY OF-- 531 00:11:06,667 --> 00:11:08,133 COME ON, SLEAZE, WHAT YOU MEAN? 532 00:11:08,133 --> 00:11:09,233 SHE'S THE BIGGEST--I MEAN, ALL 533 00:11:09,233 --> 00:11:10,433 THE BLOGS ARE COVERING IT, MAN. 534 00:11:10,433 --> 00:11:11,600 WE GOT TO BE THE FIRST 535 00:11:11,600 --> 00:11:12,367 BEFORE SOMEBODY ELSE 536 00:11:12,367 --> 00:11:15,333 PUTS HER ON A COVER. 537 00:11:15,333 --> 00:11:16,400 I DON'T KNOW ABOUT THAT. 538 00:11:16,400 --> 00:11:17,300 SLEAZE, LOOK, 539 00:11:17,300 --> 00:11:19,167 I KNOW--I KNOW-- 540 00:11:19,167 --> 00:11:20,133 SHE'S EVA'S MOM, LIKE-- 541 00:11:20,133 --> 00:11:22,167 I UNDERSTAND THAT. I GOT IT. 542 00:11:22,167 --> 00:11:23,500 YOU KNOW HOW I FEEL ABOUT THAT. 543 00:11:23,500 --> 00:11:24,433 BUT AT THE END OF THE DAY, 544 00:11:24,433 --> 00:11:25,933 IT'S A BUSINESS. 545 00:11:25,933 --> 00:11:26,733 IT'S BAD ENOUGH 546 00:11:26,733 --> 00:11:28,433 THAT MIMI'S DOING A SEX TAPE. 547 00:11:28,433 --> 00:11:29,400 BUT CELEBRATING IT, 548 00:11:29,400 --> 00:11:30,267 PUTTING HER ON THE COVER 549 00:11:30,267 --> 00:11:31,833 OF THE HIP HOP WEEKLY, 550 00:11:31,833 --> 00:11:33,167 A MAGAZINE THAT I GOT SOMETHING 551 00:11:33,167 --> 00:11:34,300 TO DO WITH, 552 00:11:34,300 --> 00:11:36,133 MAN, IT'S A PROBLEM. 553 00:11:36,133 --> 00:11:36,800 I KNOW IT'S EASIER 554 00:11:36,800 --> 00:11:37,467 SAID THAN DONE, 555 00:11:37,467 --> 00:11:39,600 BUT YOU GOT TO SEPARATE EMOTIONS 556 00:11:39,600 --> 00:11:40,533 AND YOUR PERSONAL 557 00:11:40,533 --> 00:11:42,167 FROM YOUR BUSINESS, BROTHER. 558 00:11:42,167 --> 00:11:43,633 I MEAN, WE STAND TO SELL A LOT 559 00:11:43,633 --> 00:11:44,633 OF COVERS, SLEAZE. 560 00:11:44,633 --> 00:11:46,600 IT'S DEFINITELY HARD 561 00:11:46,600 --> 00:11:47,933 TO DO AT THIS MOMENT. 562 00:11:47,933 --> 00:11:49,333 YOU KNOW WHAT I MEAN? SO... 563 00:11:49,333 --> 00:11:50,067 YEAH, BUT-- 564 00:11:50,067 --> 00:11:50,800 I JUST DON'T KNOW IF THIS IS 565 00:11:50,800 --> 00:11:51,467 A GOOD IDEA RIGHT HERE. 566 00:11:51,467 --> 00:11:52,267 BUT THINK ABOUT--SLEAZE, 567 00:11:52,267 --> 00:11:52,933 THINK ABOUT IT. 568 00:11:52,933 --> 00:11:53,600 I KNOW THIS. 569 00:11:53,600 --> 00:11:54,267 I'VE BEEN DOING THIS-- 570 00:11:54,267 --> 00:11:54,933 I DON'T KNOW. 571 00:11:54,933 --> 00:11:55,700 ALL MONEY AIN'T GOOD MONEY, 572 00:11:55,700 --> 00:11:57,067 THOUGH, Z, AND THIS DON'T SEEM-- 573 00:11:57,067 --> 00:11:58,067 THIS DON'T SEEM RIGHT. 574 00:11:58,067 --> 00:11:58,833 I DON'T KNOW. 575 00:11:58,833 --> 00:12:00,267 JUST THINK ABOUT IT, BRO. 576 00:12:00,267 --> 00:12:00,933 I UNDERSTAND 577 00:12:00,933 --> 00:12:02,067 THAT THIS COULD BRING US MONEY 578 00:12:02,067 --> 00:12:03,200 IN HIP HOP WEEKLY. 579 00:12:03,200 --> 00:12:05,267 MY EX GOT A MAJOR BUZZ GOING ON, 580 00:12:05,267 --> 00:12:06,100 BUT IT'S 581 00:12:06,100 --> 00:12:07,333 ALL FOR THE WRONG REASON. 582 00:12:07,333 --> 00:12:08,833 AND BESIDES, JOSELINE'S FEELING 583 00:12:08,833 --> 00:12:10,333 SOME TYPE OF WAY RIGHT NOW. 584 00:12:10,333 --> 00:12:11,067 AND SEEING MIMI 585 00:12:11,067 --> 00:12:12,300 ON THE COVER OF THE MAGAZINE-- 586 00:12:12,300 --> 00:12:13,100 THAT MIGHT PUSH HER 587 00:12:13,100 --> 00:12:14,600 OFF THE CLIFF, MAN. 588 00:12:14,600 --> 00:12:15,633 WE GOT A DEADLINE. 589 00:12:15,633 --> 00:12:16,333 YOU KNOW I'M SAYING? 590 00:12:16,333 --> 00:12:17,633 HOW MUCH TIME WE GOT? 591 00:12:17,633 --> 00:12:18,300 SLEAZE, 592 00:12:18,300 --> 00:12:20,100 WE DON'T EVEN GOT 24 HOURS. 593 00:12:20,100 --> 00:12:22,767 [groaning] GOD. 594 00:12:31,467 --> 00:12:32,700 NOW THAT I CLOSED THE CHAPTER 595 00:12:32,700 --> 00:12:34,467 TO THIS ERICA PINKETT SITUATION, 596 00:12:34,467 --> 00:12:35,900 I'M READY TO LOVE MY GIRL BAM 597 00:12:35,900 --> 00:12:36,567 AGAIN. 598 00:12:36,567 --> 00:12:37,633 I GOT TO SHOW HER THAT I'M 599 00:12:37,633 --> 00:12:39,067 THE MAN THAT SHE LOOKING FOR. 600 00:12:39,067 --> 00:12:40,733 LAST TIME I GOT HER THE PUPPY. 601 00:12:40,733 --> 00:12:42,067 BUT TODAY, SHORTY, 602 00:12:42,067 --> 00:12:43,900 I GOT A ROMANTIC PICNIC 603 00:12:43,900 --> 00:12:46,067 IN THE WILDERNESS, WATERFALLS, 604 00:12:46,067 --> 00:12:48,100 ROSES, AND CHOCOLATE-COVERED 605 00:12:48,100 --> 00:12:50,533 STRAWBERRIES. 606 00:13:05,900 --> 00:13:07,067 AND I MIGHT HAVE SOMETHING 607 00:13:07,067 --> 00:13:07,700 FOR HER 608 00:13:07,700 --> 00:13:09,300 THAT SHE MIGHT JUST LOVE 609 00:13:09,300 --> 00:13:12,667 WAY MORE THAN A PUPPY. 610 00:13:12,667 --> 00:13:14,067 [laughs] OH. 611 00:13:14,067 --> 00:13:14,833 HI. 612 00:13:14,833 --> 00:13:16,133 WHAT'S UP? 613 00:13:16,133 --> 00:13:20,467 OH, MY--WELL, THIS IS CUTE. 614 00:13:20,467 --> 00:13:21,400 WOW. 615 00:13:21,400 --> 00:13:23,600 THANKS. 616 00:13:23,600 --> 00:13:25,300 SMELL 'EM. 617 00:13:25,300 --> 00:13:27,300 AND TAKE A SEAT, MAMA. 618 00:13:27,300 --> 00:13:28,200 LITTLE SMILEY FACE-- 619 00:13:28,200 --> 00:13:28,867 WHAT IS THIS? 620 00:13:28,867 --> 00:13:29,700 AIN'T NEVER DID NOTHING 621 00:13:29,700 --> 00:13:30,367 LIKE THIS. 622 00:13:30,367 --> 00:13:31,133 SO YOU KNOW WHAT I'M SAYING? 623 00:13:31,133 --> 00:13:31,800 IT'S LIKE-- 624 00:13:31,800 --> 00:13:32,467 WHY DO WE HAVE 625 00:13:32,467 --> 00:13:34,633 TO COME TO THE JUNGLE? 626 00:13:34,633 --> 00:13:35,467 I APPRECIATE 627 00:13:35,467 --> 00:13:37,067 ALL OF SCRAP'S EFFORTS, 628 00:13:37,067 --> 00:13:39,600 BUT HE GOT ME GOING 629 00:13:39,600 --> 00:13:40,400 THROUGH THESE WOODS 630 00:13:40,400 --> 00:13:41,200 LIKE I'M ON A SAFARI 631 00:13:41,200 --> 00:13:41,867 OR SOMETHING. 632 00:13:41,867 --> 00:13:42,833 I KNOW HE BETTER MAKE 633 00:13:42,833 --> 00:13:43,967 THIS TRIP WORTHWHILE. 634 00:13:43,967 --> 00:13:44,933 HOW YOU LIKE IT? 635 00:13:44,933 --> 00:13:47,433 I MEAN, IT'S NICE. 636 00:13:47,433 --> 00:13:48,867 I LIKE IT. 637 00:13:48,867 --> 00:13:49,767 SHOW ME HOW MUCH YOU LIKE IT. 638 00:13:49,767 --> 00:13:50,433 GIVE ME A KISS. 639 00:13:50,433 --> 00:13:51,967 IS THIS FOR REAL? 640 00:13:51,967 --> 00:13:52,900 YEAH, IT'S FOR REAL. 641 00:13:52,900 --> 00:13:55,367 OH. 642 00:13:55,367 --> 00:13:56,400 WHAT YOU TALKING ABOUT? 643 00:13:56,400 --> 00:13:57,333 THERE'S NO DOUBT 644 00:13:57,333 --> 00:13:58,233 THAT I LOVE SCRAPPY. 645 00:13:58,233 --> 00:14:00,100 BUT BETWEEN HIS MEDDLING MOM 646 00:14:00,100 --> 00:14:01,733 AND HIS SIDE CHICK SHENANIGANS, 647 00:14:01,733 --> 00:14:03,533 HE JUST HAS TOO MUCH GOING ON. 648 00:14:03,533 --> 00:14:04,367 HE'S GONNA HAVE TO COME 649 00:14:04,367 --> 00:14:05,600 WITH SOMETHING LITTLE BIT 650 00:14:05,600 --> 00:14:06,700 DIFFERENT THIS TIME. 651 00:14:06,700 --> 00:14:08,200 BUT I GUESS THIS ROMEO STUFF 652 00:14:08,200 --> 00:14:09,167 IS A GOOD START. 653 00:14:09,167 --> 00:14:10,633 WHAT DO YOU WANT OUT OF LIFE 654 00:14:10,633 --> 00:14:12,067 AND OUT OF THIS RELATIONSHIP? 655 00:14:12,067 --> 00:14:14,967 WELL, I WANT A REAL CLEAR, 656 00:14:14,967 --> 00:14:16,400 DEFINED RELATIONSHIP. 657 00:14:16,400 --> 00:14:18,200 BUT I NEED TO SEE 658 00:14:18,200 --> 00:14:19,833 SOMETHING DIFFERENT FROM YOU. 659 00:14:19,833 --> 00:14:20,733 LET'S FIX A SANDWICH 660 00:14:20,733 --> 00:14:22,267 OR SOMETHING, 'CAUSE I'M HUNGRY. 661 00:14:22,267 --> 00:14:23,533 YEAH, YOU MAKE A SANDWICH 662 00:14:23,533 --> 00:14:24,667 AND FIGURE IT OUT. 663 00:14:24,667 --> 00:14:26,767 OH, CAN YOU-- 664 00:14:26,767 --> 00:14:28,467 CAN YOU HAND IT TO ME? 665 00:14:28,467 --> 00:14:29,300 I NEED--HAND IT TO ME. 666 00:14:29,300 --> 00:14:31,333 IT'S NICE LITTLE BASKET 667 00:14:31,333 --> 00:14:33,067 YOU GOT HERE. 668 00:14:33,067 --> 00:14:33,833 YOU THOUGHT IT WAS A SANDWICH 669 00:14:33,833 --> 00:14:34,500 IN THERE? 670 00:14:34,500 --> 00:14:35,467 NO, IT IS-- 671 00:14:35,467 --> 00:14:37,433 IT'S SUPPOSED TO BE SOMETHING. 672 00:14:37,433 --> 00:14:39,167 SHAKE IT. SHAKE IT. 673 00:14:39,167 --> 00:14:39,867 GO AHEAD. YOU SHAKE IT. 674 00:14:39,867 --> 00:14:40,633 NO, SHAKE IT. 675 00:14:40,633 --> 00:14:41,433 I'M NOT GOING TO SHAKE IT, 676 00:14:41,433 --> 00:14:42,100 AND THERE AIN'T NOTHING 677 00:14:42,100 --> 00:14:42,767 IN THERE. 678 00:14:42,767 --> 00:14:43,567 YOU NOT ABOUT TO PLAY WITH ME. 679 00:14:43,567 --> 00:14:44,233 JUST FLIP IT OVER. 680 00:14:44,233 --> 00:14:44,900 FLIP IT OVER. 681 00:14:44,900 --> 00:14:45,600 YOU PLAY TOO [bleep]. 682 00:14:45,600 --> 00:14:47,667 THE [bleep] IS THAT [bleep]? 683 00:14:47,667 --> 00:14:48,333 YEAH. 684 00:14:48,333 --> 00:14:49,233 WHAT IS [bleep] THAT [bleep]? 685 00:14:49,233 --> 00:14:51,333 I WANT YOU TO OPEN IT. 686 00:14:54,333 --> 00:14:57,133 OH, OH. 687 00:14:57,133 --> 00:14:59,133 WHAT DOES THIS MEAN? 688 00:14:59,133 --> 00:15:00,767 IT MEAN I LOVE YOU. 689 00:15:00,767 --> 00:15:01,467 YOU KNOW WHAT I'M SAYING? 690 00:15:01,467 --> 00:15:04,967 I'M PROMISING TO BE YOUR FRIEND. 691 00:15:04,967 --> 00:15:07,200 AND I JUST WANT TO LET YOU KNOW 692 00:15:07,200 --> 00:15:08,200 THAT YOU ARE SPECIAL. 693 00:15:08,200 --> 00:15:09,867 YOU IN MY HEART. 694 00:15:09,867 --> 00:15:10,567 YOU KNOW WHAT I'M SAYING? 695 00:15:10,567 --> 00:15:11,700 BUT IT'S REAL [bleep]. 696 00:15:11,700 --> 00:15:15,800 YOU KNOW, I LOVE YOU. 697 00:15:15,800 --> 00:15:17,800 I LOVE YOU TOO. 698 00:15:21,567 --> 00:15:22,900 EW, [bleep]. 699 00:15:22,900 --> 00:15:24,900 [laughter] 700 00:15:30,067 --> 00:15:31,100 WARM, SUNNY DAY. 701 00:15:31,100 --> 00:15:32,567 GIRL, WANT SOME FOOLISHNESS? 702 00:15:32,567 --> 00:15:34,067 I HAVE NEVER BEEN ASKED 703 00:15:34,067 --> 00:15:35,167 TO BE ON ANYTHING 704 00:15:35,167 --> 00:15:36,300 THAT HAS ANYTHING TO DO 705 00:15:36,300 --> 00:15:38,233 WITH HIP HOP WEEKLY BEFORE. 706 00:15:38,233 --> 00:15:40,200 THING ABOUT BENZINO 707 00:15:40,200 --> 00:15:42,467 CALLING ME HERE NOW 708 00:15:42,467 --> 00:15:45,700 IS SO ASININE AND IRONIC 709 00:15:45,700 --> 00:15:46,967 AT THE SAME DAMN TIME. 710 00:15:46,967 --> 00:15:47,667 BUT YOU KNOW THESE GUYS 711 00:15:47,667 --> 00:15:48,333 ARE OPPORTUNISTS. 712 00:15:48,333 --> 00:15:49,433 THEY WANT A PIECE OF THE PIE. 713 00:15:49,433 --> 00:15:50,567 THEY WANT A PIECE 714 00:15:50,567 --> 00:15:52,833 OF THE [bleep] PIE. 715 00:15:52,833 --> 00:15:53,500 YES. 716 00:15:53,500 --> 00:15:54,433 AT THIS POINT, 717 00:15:54,433 --> 00:15:56,867 I HAVE NOTHING TO APOLOGIZE FOR. 718 00:15:56,867 --> 00:15:58,667 IT IS WHAT IT IS, 719 00:15:58,667 --> 00:16:02,267 AND I'M ECSTATIC. 720 00:16:02,267 --> 00:16:03,467 LET'S HEAR HIS ASS OUT 721 00:16:03,467 --> 00:16:05,500 SO I CAN WRING HIS LITTLE NECK. 722 00:16:05,500 --> 00:16:06,700 EXACTLY. 723 00:16:06,700 --> 00:16:08,533 OH, MY, HOW THE TABLES 724 00:16:08,533 --> 00:16:09,367 HAVE TURNED. 725 00:16:09,367 --> 00:16:10,500 BENZINO COULDN'T BE BOTHERED 726 00:16:10,500 --> 00:16:11,167 WITH ME, 727 00:16:11,167 --> 00:16:13,533 BUT NOW HE'S IN HOT PURSUIT. 728 00:16:13,533 --> 00:16:14,933 SINCE THIS TAPE HAS COME OUT, 729 00:16:14,933 --> 00:16:16,300 I'VE GONE FROM FEELING REAL 730 00:16:16,300 --> 00:16:18,067 UNCOMFORTABLE TO REALIZING 731 00:16:18,067 --> 00:16:19,500 THERE MIGHT BE A WHOLE LOT 732 00:16:19,500 --> 00:16:21,133 OF OPPORTUNITY OUT THERE FOR ME. 733 00:16:21,133 --> 00:16:23,333 NOW IS TIME TO MAKE THOSE COINS. 734 00:16:23,333 --> 00:16:26,533 HEY, WHAT'S GOING ON? 735 00:16:26,533 --> 00:16:27,200 WELL. 736 00:16:27,200 --> 00:16:27,867 WHAT'S UP, SIR? 737 00:16:27,867 --> 00:16:28,533 LADIES, I'M GLAD 738 00:16:28,533 --> 00:16:29,867 YOU CAN MAKE IT. 739 00:16:29,867 --> 00:16:30,867 OH. 740 00:16:30,867 --> 00:16:31,533 AW. 741 00:16:31,533 --> 00:16:32,200 OH. 742 00:16:32,200 --> 00:16:35,933 MIMI, MIMI, MIMI, 743 00:16:35,933 --> 00:16:37,500 MIMI, MIMIMI. 744 00:16:37,500 --> 00:16:39,067 MIMI'S ON FIRE RIGHT NOW, 745 00:16:39,067 --> 00:16:40,433 SO I GOT TO PUT HER ON THE NEXT 746 00:16:40,433 --> 00:16:41,767 COVER OF THE HIP HOP WEEKLY. 747 00:16:41,767 --> 00:16:43,567 I KNOW SLEAZO WASN'T REAL KEEN 748 00:16:43,567 --> 00:16:44,367 ABOUT THE IDEA. 749 00:16:44,367 --> 00:16:45,833 I GAVE HIM 24 HOURS 750 00:16:45,833 --> 00:16:47,067 TO COME TO HIS SENSES. 751 00:16:47,067 --> 00:16:47,833 TIME IS UP, 752 00:16:47,833 --> 00:16:49,233 AND I AIN'T EVEN HEARD FROM HIM. 753 00:16:49,233 --> 00:16:51,667 LET'S TOAST, OF COURSE-- 754 00:16:51,667 --> 00:16:52,767 WHAT ARE WE TOASTING TO? 755 00:16:52,767 --> 00:16:53,933 OH, WE--I'M SURE 756 00:16:53,933 --> 00:16:56,233 YOU KNOW WHAT WE'RE TOASTING TO. 757 00:16:56,233 --> 00:16:57,233 THERE'S ONLY ONE THING 758 00:16:57,233 --> 00:16:58,367 THAT WE COULD BE TOASTING TO, 759 00:16:58,367 --> 00:16:59,500 AND THAT'S IS TO MIMI 760 00:16:59,500 --> 00:17:01,500 AND HER... 761 00:17:01,500 --> 00:17:02,167 ENDEAVORS. 762 00:17:02,167 --> 00:17:02,833 OH. 763 00:17:02,833 --> 00:17:04,633 EXACTLY, I AGREE WITH THAT. 764 00:17:04,633 --> 00:17:05,800 I'LL TOAST TO THAT. THANKS. 765 00:17:05,800 --> 00:17:07,100 MOVING RIGHT ALONG, 766 00:17:07,100 --> 00:17:07,800 BENZINO, YOU KNOW US. 767 00:17:07,800 --> 00:17:08,467 OF COURSE. 768 00:17:08,467 --> 00:17:09,133 WE COME HERE 769 00:17:09,133 --> 00:17:09,933 FOR THE BUSINESS. 770 00:17:09,933 --> 00:17:12,267 OF COURSE WE KNOW. 771 00:17:12,267 --> 00:17:13,767 SHE'S THE BIGGEST THING-- 772 00:17:13,767 --> 00:17:15,233 I MEAN, BIGGER THAN BIG. 773 00:17:15,233 --> 00:17:15,900 BIG. 774 00:17:15,900 --> 00:17:16,567 YOU KNOW, 775 00:17:16,567 --> 00:17:18,667 THERE'S THAT HOT METER. 776 00:17:18,667 --> 00:17:20,067 [hisses] 777 00:17:20,067 --> 00:17:21,167 AH! 778 00:17:21,167 --> 00:17:24,067 RIGHT NOW, THE WORLD 779 00:17:24,067 --> 00:17:25,700 KNOWS ABOUT MIMI. 780 00:17:25,700 --> 00:17:26,367 MM-HMM. 781 00:17:26,367 --> 00:17:27,133 I WANT TO PUT MIMI 782 00:17:27,133 --> 00:17:28,133 ON A COVER. 783 00:17:28,133 --> 00:17:28,800 I WANT TO DO 784 00:17:28,800 --> 00:17:30,400 A BIG HIP HOP WEEKLY PARTY 785 00:17:30,400 --> 00:17:31,533 WITH THE BIG POSTER BOARDS 786 00:17:31,533 --> 00:17:32,767 WITH YOU ON IT. 787 00:17:32,767 --> 00:17:34,567 10,000. 788 00:17:34,567 --> 00:17:35,267 10,000 WHAT? 789 00:17:35,267 --> 00:17:36,133 DOLLARS. 790 00:17:36,133 --> 00:17:37,300 DOLLARS FOR WHAT? 791 00:17:37,300 --> 00:17:39,233 TO BE ON THE COVER. 792 00:17:39,233 --> 00:17:41,200 NO, WE DON'T PAY-- 793 00:17:41,200 --> 00:17:42,067 WE DON'T PAY 794 00:17:42,067 --> 00:17:42,967 TO GET ON THE COVER. 795 00:17:42,967 --> 00:17:45,700 YOU DON'T PAY, I DON'T DO. 796 00:17:45,700 --> 00:17:46,367 WE DON'T DO 797 00:17:46,367 --> 00:17:47,133 PRO BONO OVER HERE. 798 00:17:47,133 --> 00:17:48,067 BUT YOU GUYS KNOW THAT-- 799 00:17:48,067 --> 00:17:48,700 I'M GETTING 800 00:17:48,700 --> 00:17:50,200 OFFERS LEFT AND RIGHT, BENZINO. 801 00:17:50,200 --> 00:17:50,867 BUT, MIMI-- 802 00:17:50,867 --> 00:17:51,833 LEFT, RIGHT, 803 00:17:51,833 --> 00:17:53,633 UPSIDE DOWN, BACKWARDS. 804 00:17:53,633 --> 00:17:54,567 I'M GETTING OFFERS 805 00:17:54,567 --> 00:17:55,867 SWINGING FROM SHOWER RODS. 806 00:17:55,867 --> 00:17:57,567 I'M GETTING OFFERS. 807 00:17:57,567 --> 00:17:59,633 MY THING IS, WE DON'T PAY 808 00:17:59,633 --> 00:18:01,267 PEOPLE TO GET ON THE COVER. 809 00:18:01,267 --> 00:18:02,500 OKAY. 810 00:18:02,500 --> 00:18:03,200 I DON'T NEED 811 00:18:03,200 --> 00:18:04,233 MIMI'S PERMISSION TO PUT IT 812 00:18:04,233 --> 00:18:05,900 ON THE COVER OF MY MAGAZINE. 813 00:18:05,900 --> 00:18:07,200 SHE'S A PUBLIC FIGURE. 814 00:18:07,200 --> 00:18:08,400 I JUST BROUGHT HER AND DAWN 815 00:18:08,400 --> 00:18:09,433 HERE AS A COURTESY. 816 00:18:09,433 --> 00:18:10,900 I THINK THE STORY'S HOT, 817 00:18:10,900 --> 00:18:12,067 BUT TEN BENZ? 818 00:18:12,067 --> 00:18:13,433 STOP IT, MIMI. HAVE YOU 819 00:18:13,433 --> 00:18:14,700 EVER HEARD OF FREEDOM OF PRESS? 820 00:18:14,700 --> 00:18:15,533 YEP. 821 00:18:15,533 --> 00:18:16,533 I WANT YOU GUYS TO UNDERSTAND 822 00:18:16,533 --> 00:18:17,600 THE MAGAZINE BUSINESS. 823 00:18:17,600 --> 00:18:18,433 THESE PEOPLE 824 00:18:18,433 --> 00:18:20,533 THAT ARE ON THE COVER-- 825 00:18:20,533 --> 00:18:21,200 WE DON'T HAVE 826 00:18:21,200 --> 00:18:22,900 TO PAY THESE PEOPLE. 827 00:18:22,900 --> 00:18:24,333 THESE PEOPLE ARE ON THE COVER. 828 00:18:24,333 --> 00:18:26,267 YOU CAN GO ON THE COVER ANYWAYS 829 00:18:26,267 --> 00:18:27,300 WITHOUT US EVEN ASKING YOU. 830 00:18:27,300 --> 00:18:27,967 MM-HMM. 831 00:18:27,967 --> 00:18:29,233 WE CAN GO GRAB A PICTURE, 832 00:18:29,233 --> 00:18:29,933 PUT YOU ON THE COVER, 833 00:18:29,933 --> 00:18:30,600 AND YOU'LL BE-- 834 00:18:30,600 --> 00:18:31,333 YOU COULD, AND I WILL SUE 835 00:18:31,333 --> 00:18:32,067 THE [bleep] OUT OF YOU. 836 00:18:32,067 --> 00:18:32,867 WELL, YOU KNOW, 837 00:18:32,867 --> 00:18:34,067 THAT IS TO BE SEEN, 838 00:18:34,067 --> 00:18:34,733 BECAUSE I TOLD YOU, 839 00:18:34,733 --> 00:18:35,567 FREEDOM OF PRESS, 840 00:18:35,567 --> 00:18:36,400 DOCTRINE OF FAIR USE-- 841 00:18:36,400 --> 00:18:37,233 YEAH, I COULD SUE YOU STILL. 842 00:18:37,233 --> 00:18:38,867 I WILL TIE YOUR MAGAZINE UP SO 843 00:18:38,867 --> 00:18:41,167 CRAZY BECAUSE I DO HAVE LAWYERS. 844 00:18:41,167 --> 00:18:41,833 SO YOU COULD DO THAT 845 00:18:41,833 --> 00:18:42,567 IF YOU WANT. 846 00:18:42,567 --> 00:18:44,933 BUT I JUST THINK THAT IT 847 00:18:44,933 --> 00:18:45,700 WOULD BE A GOOD THING, 848 00:18:45,700 --> 00:18:46,800 BECAUSE AT THE END OF THE DAY, 849 00:18:46,800 --> 00:18:48,500 MIMI, WE HAVE THE RIGHT 850 00:18:48,500 --> 00:18:50,500 TO PUT IT ON THE COVER ANYWAYS. 851 00:18:50,500 --> 00:18:52,400 THAT'S WHAT YOU GONNA DO? 852 00:18:52,400 --> 00:18:53,633 YOU'RE TELLING ME THAT'S WHAT 853 00:18:53,633 --> 00:18:54,433 YOU'RE GOING TO DO RIGHT NOW? 854 00:18:54,433 --> 00:18:55,200 I DON'T WANT TO DO IT. 855 00:18:55,200 --> 00:18:56,100 I'D RATHER HAVE YOU, YOU KNOW-- 856 00:18:56,100 --> 00:18:57,133 BUT IS THAT WHAT YOU'RE GOING 857 00:18:57,133 --> 00:18:57,800 TO DO? 858 00:18:57,800 --> 00:18:59,067 IF I DON'T AGREE 859 00:18:59,067 --> 00:19:00,400 TO DO YOUR COVER, 860 00:19:00,400 --> 00:19:01,467 THAT'S WHAT YOU'RE GOING-- 861 00:19:01,467 --> 00:19:02,333 MIMI, YOU LEAVE ME NO CHOICE. 862 00:19:02,333 --> 00:19:04,300 I LEAVE YOU NO CHOICE? 863 00:19:04,300 --> 00:19:05,500 COOL. 864 00:19:05,500 --> 00:19:06,167 TALK TO MY LAWYER. 865 00:19:06,167 --> 00:19:06,900 WHERE ARE YOU GOING? 866 00:19:06,900 --> 00:19:07,967 LEAVING. 867 00:19:07,967 --> 00:19:08,633 BYE, MIMI. 868 00:19:08,633 --> 00:19:10,467 I LOVE THE TAPE, MIMI! 869 00:19:10,467 --> 00:19:12,200 AND YOU DO HAVE CHOICES. 870 00:19:12,200 --> 00:19:13,533 YOU HAVE CHOICES, THE CHOICE 871 00:19:13,533 --> 00:19:16,500 OF WHAT DRESS YOU WANT TO WEAR, 872 00:19:16,500 --> 00:19:17,400 'CAUSE YOU'RE GOING 873 00:19:17,400 --> 00:19:19,633 ON THIS MOTHER[bleep] COVER. 874 00:19:19,633 --> 00:19:20,567 YOU SAID IT WAS SOMETHING 875 00:19:20,567 --> 00:19:21,600 THAT YOU AND YOUR BOYFRIEND DID 876 00:19:21,600 --> 00:19:23,367 IN A HOME VIDEO SENSE. 877 00:19:23,367 --> 00:19:24,700 AND IT LEAKED. 878 00:19:24,700 --> 00:19:26,700 THAT'S NOT WHAT IT IS. 879 00:19:59,067 --> 00:20:00,067 IN THE MIDST 880 00:20:00,067 --> 00:20:01,900 OF THE CRAZIEST WEEK OF MY LIFE, 881 00:20:01,900 --> 00:20:03,033 I JUST FOUND OUT 882 00:20:03,033 --> 00:20:04,400 THAT MY FATHER HAD A STROKE, 883 00:20:04,400 --> 00:20:05,967 AND HE'S NOT DOING WELL. 884 00:20:05,967 --> 00:20:07,200 SO I'M LEAVING TONIGHT 885 00:20:07,200 --> 00:20:10,333 TO GO BE WITH HIM IN NEW YORK. 886 00:20:10,333 --> 00:20:11,433 ERICA'S ON HER WAY OVER, 887 00:20:11,433 --> 00:20:12,167 SAID SHE HAS SOMETHING 888 00:20:12,167 --> 00:20:13,567 IMPORTANT TO TALK TO ME ABOUT. 889 00:20:13,567 --> 00:20:14,733 I'M GONNA SEE HER, 890 00:20:14,733 --> 00:20:15,467 BUT I'M GONNA LET HER KNOW 891 00:20:15,467 --> 00:20:16,567 WHAT'S GOING ON WITH ME. 892 00:20:16,567 --> 00:20:17,533 AND THEN I JUST 893 00:20:17,533 --> 00:20:19,533 WANT TO GO BE WITH MY FATHER. 894 00:20:34,000 --> 00:20:35,533 THE FEELING THAT I HAD 895 00:20:35,533 --> 00:20:38,233 WHEN I SAW THIS TAPE OF MIMI, 896 00:20:38,233 --> 00:20:39,867 AS A MOTHER, IT JUST-- 897 00:20:39,867 --> 00:20:41,233 IT BROKE MY HEART. 898 00:20:41,233 --> 00:20:42,700 IT HURT ME TO MY SOUL. 899 00:20:42,700 --> 00:20:44,233 I HAD TO WAIT A COUPLE OF DAYS, 900 00:20:44,233 --> 00:20:46,400 BECAUSE I WAS SO PISSED, 901 00:20:46,400 --> 00:20:47,667 I DIDN'T WANT TO SAY ANYTHING 902 00:20:47,667 --> 00:20:48,800 THAT I COULDN'T TAKE BACK. 903 00:20:48,800 --> 00:20:50,900 BUT TODAY I'M GONNA EXPRESS 904 00:20:50,900 --> 00:20:53,133 TO HER EXACTLY HOW I FEEL. 905 00:21:08,567 --> 00:21:10,567 [doorbell rings] 906 00:21:18,567 --> 00:21:19,233 WHAT'S UP? 907 00:21:19,233 --> 00:21:20,633 MIMI'S MY FRIEND AND ALL, 908 00:21:20,633 --> 00:21:23,100 BUT SHE'S ONTO SELF-DESTRUCTION. 909 00:21:23,100 --> 00:21:23,800 THE MORE I THOUGHT 910 00:21:23,800 --> 00:21:25,233 ABOUT MIMI'S SITUATION, 911 00:21:25,233 --> 00:21:26,967 THE MORE I LOST SYMPATHY 912 00:21:26,967 --> 00:21:27,633 FOR HER. 913 00:21:27,633 --> 00:21:29,100 IT'S REALLY HER DAUGHTER 914 00:21:29,100 --> 00:21:30,100 THAT I'M WORRIED ABOUT NOW. 915 00:21:30,100 --> 00:21:32,800 WHAT IS GOING ON? 916 00:21:32,800 --> 00:21:35,067 TALK TO ME, 'CAUSE WHAT I SAW, 917 00:21:35,067 --> 00:21:37,500 MIMI, I DON'T LIKE, 918 00:21:37,500 --> 00:21:39,333 I DON'T APPRECIATE. 919 00:21:39,333 --> 00:21:42,267 I AM HURT, DISGUSTED, 920 00:21:42,267 --> 00:21:43,367 DISAPPOINTED. 921 00:21:43,367 --> 00:21:44,233 WHAT? 922 00:21:44,233 --> 00:21:45,667 YOUR TAPE. 923 00:21:45,667 --> 00:21:48,733 OH, GIRL. 924 00:21:48,733 --> 00:21:49,733 IF I KNEW ERICA 925 00:21:49,733 --> 00:21:50,433 WANTED TO COME OVER 926 00:21:50,433 --> 00:21:51,933 AND TALK ABOUT THIS SEX TAPE, 927 00:21:51,933 --> 00:21:52,800 I WOULD HAVE NEVER MADE TIME 928 00:21:52,800 --> 00:21:53,467 FOR THIS. 929 00:21:53,467 --> 00:21:54,767 I DON'T CARE ABOUT ANYTHING 930 00:21:54,767 --> 00:21:55,867 BUT MY FATHER RIGHT NOW, 931 00:21:55,867 --> 00:21:56,967 BUT I'MA LET HER SAY 932 00:21:56,967 --> 00:21:57,967 WHAT SHE HAS TO SAY. 933 00:21:57,967 --> 00:21:59,067 AND THEN I'M GONNA MOVE ON 934 00:21:59,067 --> 00:22:00,300 TO MORE IMPORTANT THINGS. 935 00:22:00,300 --> 00:22:01,300 YOU SAID IT WAS SOMETHING 936 00:22:01,300 --> 00:22:02,333 THAT YOU AND BOYFRIEND 937 00:22:02,333 --> 00:22:04,133 DID IN A HOME VIDEO SENSE, 938 00:22:04,133 --> 00:22:06,133 AND IT LEAKED. 939 00:22:06,133 --> 00:22:08,233 THAT IS NOT WHAT I SAW. 940 00:22:08,233 --> 00:22:09,400 THEY HAD TO MAKE IT 941 00:22:09,400 --> 00:22:11,067 WHAT IT IS. 942 00:22:11,067 --> 00:22:12,800 THAT'S WHAT THAT COMPANY DOES. 943 00:22:12,800 --> 00:22:13,500 SO YOU'RE TELLING ME 944 00:22:13,500 --> 00:22:14,667 THIS WAS A HOME VIDEO? 945 00:22:14,667 --> 00:22:15,900 YOU STICKING TO THAT, MIMI? 946 00:22:15,900 --> 00:22:16,567 YEAH. 947 00:22:16,567 --> 00:22:17,933 I MEAN, LIGHTING, 948 00:22:17,933 --> 00:22:20,300 ALL OF THAT. 949 00:22:20,300 --> 00:22:21,233 BUT YOU JUST SEEMED LIKE YOU 950 00:22:21,233 --> 00:22:22,267 JUST SO COOL WITH IT. 951 00:22:22,267 --> 00:22:23,767 LIKE, YEAH, IT'S A HOME VIDEO 952 00:22:23,767 --> 00:22:24,567 AND, LIKE, WE BOTH KNOW IT'S 953 00:22:24,567 --> 00:22:25,233 NOT, IT'S-- 954 00:22:25,233 --> 00:22:26,300 I'M NOT COOL WITH-- 955 00:22:26,300 --> 00:22:27,600 THAT'S NOT WHAT IT IS. 956 00:22:27,600 --> 00:22:29,300 THE ONLY THING I CAN DO RIGHT 957 00:22:29,300 --> 00:22:31,833 NOW IS MOVE THE [bleep] FORWARD. 958 00:22:31,833 --> 00:22:32,867 THAT'S IT. 959 00:22:32,867 --> 00:22:33,933 JUST REMEMBER WHAT YOU DO 960 00:22:33,933 --> 00:22:36,433 AFFECTS EVERYBODY--YOUR FAMILY, 961 00:22:36,433 --> 00:22:40,067 YOUR FRIENDS, NOT JUST YOU. 962 00:22:40,067 --> 00:22:42,567 WHAT I DID IS GOING 963 00:22:42,567 --> 00:22:45,400 TO BENEFIT ME AND MY FAMILY. 964 00:22:45,400 --> 00:22:46,233 THAT'S NOT A BENEFIT. 965 00:22:46,233 --> 00:22:46,900 YES, IT IS. 966 00:22:46,900 --> 00:22:47,567 I DON'T CARE 967 00:22:47,567 --> 00:22:48,233 HOW YOU TRY TO LOOK IT, 968 00:22:48,233 --> 00:22:48,900 AND I'M SPEAKING TO YOU 969 00:22:48,900 --> 00:22:49,600 AS A MOTHER NOW. 970 00:22:49,600 --> 00:22:50,267 YES, IT IS. 971 00:22:50,267 --> 00:22:51,267 BECAUSE IT'S SELFISH, 972 00:22:51,267 --> 00:22:52,233 AND IT'S SELF-ABSORBED. 973 00:22:52,233 --> 00:22:53,367 BECAUSE THEN GUESS WHAT? 974 00:22:53,367 --> 00:22:54,067 YOU THINKING ABOUT YOU. 975 00:22:54,067 --> 00:22:55,133 YOU'RE NOT CONSIDERING EVA. 976 00:22:55,133 --> 00:22:55,900 OH, I'M TOTALLY 977 00:22:55,900 --> 00:22:56,633 CONSIDERING EVA. 978 00:22:56,633 --> 00:22:57,533 YOU COULDN'T POSSIBLY. 979 00:22:57,533 --> 00:22:59,100 YOU COULDN'T POSSIBLY, MIMI. 980 00:22:59,100 --> 00:23:00,333 YES, I AM. 981 00:23:00,333 --> 00:23:01,700 YOU COULD PUT A PRICE TAG 982 00:23:01,700 --> 00:23:02,367 ON THAT, REALLY? 983 00:23:02,367 --> 00:23:03,900 THAT'S NOT THE MIMI I KNOW. 984 00:23:03,900 --> 00:23:04,567 I'MA JUST TELL YOU 985 00:23:04,567 --> 00:23:05,233 HOW I REALLY FEEL. 986 00:23:05,233 --> 00:23:06,067 YOU LEAKED IT, OR NIKKO LEAK 987 00:23:06,067 --> 00:23:06,667 IT? 988 00:23:06,667 --> 00:23:07,333 'CAUSE AT THIS POINT, 989 00:23:07,333 --> 00:23:08,533 I FEEL LIKE I--LIKE, WHO? 990 00:23:08,533 --> 00:23:09,200 I CAN'T EVEN 991 00:23:09,200 --> 00:23:10,467 BE CONCERNED ABOUT THAT, GIRL. 992 00:23:10,467 --> 00:23:11,767 MY DAD HAD A STROKE. 993 00:23:11,767 --> 00:23:13,700 HE'S DYING RIGHT NOW. 994 00:23:13,700 --> 00:23:15,267 LIKE, THAT TAPE RIGHT NOW 995 00:23:15,267 --> 00:23:17,300 IS THE LAST THING ON MY MIND, 996 00:23:17,300 --> 00:23:19,133 TRUST AND BELIEVE. 997 00:23:19,133 --> 00:23:20,067 I KNOW THAT ERICA 998 00:23:20,067 --> 00:23:21,300 DIDN'T KNOW ABOUT MY FATHER, 999 00:23:21,300 --> 00:23:22,400 BUT NOW SHE DOES. 1000 00:23:22,400 --> 00:23:23,200 AND HOPEFULLY, 1001 00:23:23,200 --> 00:23:24,733 ERICA HAS ENOUGH COMPASSION 1002 00:23:24,733 --> 00:23:26,467 TO UNDERSTAND THAT NOW 1003 00:23:26,467 --> 00:23:28,067 IS NOT THE TIME FOR THIS. 1004 00:23:28,067 --> 00:23:29,600 MY DAD WAS ON THE FLOOR. 1005 00:23:29,600 --> 00:23:30,267 I DON'T EVEN KNOW 1006 00:23:30,267 --> 00:23:32,267 HOW LONG HE WAS STROKED OUT. 1007 00:23:32,267 --> 00:23:34,600 A NEIGHBOR FOUND HIM. 1008 00:23:34,600 --> 00:23:36,067 I CAN'T EVEN THINK 1009 00:23:36,067 --> 00:23:38,200 ABOUT THIS TAPE RIGHT NOW. 1010 00:23:38,200 --> 00:23:40,767 I GOT TO GO TO NEW YORK 1011 00:23:40,767 --> 00:23:41,667 AND FIGURE OUT 1012 00:23:41,667 --> 00:23:43,100 WHAT I'M ABOUT TO DO. 1013 00:23:43,100 --> 00:23:44,333 THEY TELLING ME THEY DON'T KNOW 1014 00:23:44,333 --> 00:23:45,100 IF HE GONNA MAKE IT 1015 00:23:45,100 --> 00:23:45,867 THROUGH THE NIGHT. 1016 00:23:45,867 --> 00:23:46,533 I'M JUST... 1017 00:23:46,533 --> 00:23:47,267 I'M SORRY TO HEAR THAT. 1018 00:23:47,267 --> 00:23:48,300 GOT SO MUCH 1019 00:23:48,300 --> 00:23:51,633 ON MY PLATE THAT-- 1020 00:23:51,633 --> 00:23:52,767 SOMETIMES THINGS 1021 00:23:52,767 --> 00:23:55,067 HIT YOU ALL AT ONCE, 1022 00:23:55,067 --> 00:23:55,733 AND THIS IS ONE 1023 00:23:55,733 --> 00:23:56,967 OF THOSE INSTANCES. 1024 00:23:56,967 --> 00:23:58,767 LIKE, NOW YOUR DAD HAD A STROKE. 1025 00:23:58,767 --> 00:24:00,333 YOUR TAPE IS OUT. 1026 00:24:00,333 --> 00:24:01,500 CAN YOU DEAL WITH IT? 1027 00:24:01,500 --> 00:24:02,400 WHAT ELSE AM I 1028 00:24:02,400 --> 00:24:04,200 SUPPOSED TO [bleep] SAY? 1029 00:24:04,200 --> 00:24:05,233 I DON'T EVEN THINK YOU CAN 1030 00:24:05,233 --> 00:24:07,433 SAY ANYTHING ELSE AT THIS POINT. 1031 00:24:07,433 --> 00:24:08,233 I'M SORRY TO HEAR 1032 00:24:08,233 --> 00:24:09,133 ABOUT MIMI'S DAD. 1033 00:24:09,133 --> 00:24:10,433 IT'S NEVER A GOOD TIME TO HEAR 1034 00:24:10,433 --> 00:24:11,867 THAT YOUR FATHER'S HAD A STROKE. 1035 00:24:11,867 --> 00:24:13,833 BUT MY GOSH, THE TIMING 1036 00:24:13,833 --> 00:24:15,667 COULDN'T BE ANY WORSE. 1037 00:24:15,667 --> 00:24:16,767 I DON'T KNOW HOW MUCH MORE MIMI 1038 00:24:16,767 --> 00:24:17,900 CAN TAKE RIGHT NOW. 1039 00:24:17,900 --> 00:24:18,967 SO I'M GONNA PUT MY FEELINGS 1040 00:24:18,967 --> 00:24:20,733 ON THE BACK BURNER AND PRAY 1041 00:24:20,733 --> 00:24:21,700 FOR MY FRIEND. 1042 00:24:21,700 --> 00:24:22,967 I JUST WANT TO GIVE YOU A HUG 1043 00:24:22,967 --> 00:24:25,767 TO LET YOU KNOW IT IS OKAY, BOO. 1044 00:24:36,900 --> 00:24:38,067 BE TOTALLY HONEST WITH YOU, 1045 00:24:38,067 --> 00:24:38,900 MAN, LIKE, I'VE BEEN FEELING 1046 00:24:38,900 --> 00:24:41,067 SICK AND A LITTLE STRANGE. 1047 00:24:41,067 --> 00:24:41,700 STRANGE? 1048 00:24:41,700 --> 00:24:42,367 YEAH. 1049 00:24:42,367 --> 00:24:43,333 LIKE WHAT? 1050 00:24:43,333 --> 00:24:45,333 I TOOK A PREGNANCY TEST. 1051 00:24:45,333 --> 00:24:46,067 'CAUSE I ALREADY DONE 1052 00:24:46,067 --> 00:24:46,933 GAVE HER A RING. 1053 00:24:46,933 --> 00:24:48,300 YOU GAVE HER A WHAT? 1054 00:24:48,300 --> 00:24:49,400 I GAVE HER A RING. 1055 00:24:49,400 --> 00:25:03,200 NO, YOU NOT GONNA COME 1056 00:25:03,200 --> 00:25:04,633 SO WHAT WE LOOKING LIKE, 1057 00:25:04,633 --> 00:25:05,367 DONNA? 1058 00:25:05,367 --> 00:25:07,833 WELL, HATE TO BE THE BEARER 1059 00:25:07,833 --> 00:25:11,200 OF SOME BAD NEWS, 1060 00:25:11,200 --> 00:25:12,167 BUT THERE'S MOLD 1061 00:25:12,167 --> 00:25:13,500 IN YOUR BATHROOM. 1062 00:25:13,500 --> 00:25:14,167 WE'VE BEEN HAVING 1063 00:25:14,167 --> 00:25:15,567 SOME PROBLEMS IN THE STUDIO. 1064 00:25:15,567 --> 00:25:16,233 IT'S BEEN, LIKE, 1065 00:25:16,233 --> 00:25:17,833 SOME SCARY STUFF ON THE WALLS. 1066 00:25:17,833 --> 00:25:18,833 SO THAT'S WHY I CALLED IN 1067 00:25:18,833 --> 00:25:19,500 AN EXPERT, 1068 00:25:19,500 --> 00:25:20,700 AND NOW WE HEAR 1069 00:25:20,700 --> 00:25:22,300 THAT WE'VE GOT MOLD. 1070 00:25:22,300 --> 00:25:23,400 SO WHAT'S REALLY GOING ON 1071 00:25:23,400 --> 00:25:24,067 RIGHT NOW? 1072 00:25:24,067 --> 00:25:25,733 IT'S A LOT OF MOLD IN THERE, 1073 00:25:25,733 --> 00:25:27,200 ACTUALLY. 1074 00:25:27,200 --> 00:25:28,300 IT COULD BE, YOU KNOW, 1075 00:25:28,300 --> 00:25:29,333 A DANGEROUS KIND OF MOLD. 1076 00:25:29,333 --> 00:25:30,300 WHAT PEOPLE DON'T UNDERSTAND 1077 00:25:30,300 --> 00:25:32,167 ABOUT MOLD IS THAT IT SPORES. 1078 00:25:32,167 --> 00:25:33,600 SO EVEN THOUGH YOU SEE IT 1079 00:25:33,600 --> 00:25:34,867 GROWING, IT'S IN THE AIR. 1080 00:25:34,867 --> 00:25:36,433 IT'S IN YOUR VENTILATION SYSTEM. 1081 00:25:36,433 --> 00:25:37,300 IT'S IN EVERYTHING, 1082 00:25:37,300 --> 00:25:39,800 WHICH IS REALLY HARMFUL TO, 1083 00:25:39,800 --> 00:25:41,133 ESPECIALLY, CHILDREN. 1084 00:25:41,133 --> 00:25:45,933 DO YOU HAVE ANY SMALL CHILDREN? 1085 00:25:45,933 --> 00:25:47,067 YEAH, WE HAVE 1086 00:25:47,067 --> 00:25:47,800 A SEVEN-YEAR-OLD, 1087 00:25:47,800 --> 00:25:49,067 NIECES, AND NEPHEWS. 1088 00:25:49,067 --> 00:25:51,133 OKAY, AND ELDERLY 1089 00:25:51,133 --> 00:25:53,067 AND EXPECTANT MOTHERS. 1090 00:25:53,067 --> 00:25:54,967 AND, YOU KNOW, THE LIST GOES ON. 1091 00:25:54,967 --> 00:25:56,800 BUT THE MAIN CONCERN 1092 00:25:56,800 --> 00:25:57,700 ARE THE LITTLE ONES. 1093 00:25:57,700 --> 00:25:59,200 THIS SOUNDS LIKE A BAD SITUATION 1094 00:25:59,200 --> 00:26:00,233 FOR A PREGNANT WOMAN. 1095 00:26:00,233 --> 00:26:02,200 WE LIVE AND WE WORK HERE. 1096 00:26:02,200 --> 00:26:02,933 AND I'M NOT TRYING 1097 00:26:02,933 --> 00:26:04,200 TO TAKE ANY CHANCES. 1098 00:26:04,200 --> 00:26:05,400 I HAVEN'T EVEN TOLD MY HUSBAND 1099 00:26:05,400 --> 00:26:06,300 ABOUT THE BABY YET. 1100 00:26:06,300 --> 00:26:07,267 WE'VE BEEN HAVING SOME DRAMA 1101 00:26:07,267 --> 00:26:08,167 OVER ASHLEY. 1102 00:26:08,167 --> 00:26:09,367 HE'S MORE ABOUT THE STUDIO 1103 00:26:09,367 --> 00:26:10,067 AND THE HOUSE. 1104 00:26:10,067 --> 00:26:11,067 SO I WAS JUST TRYING TO WAIT 1105 00:26:11,067 --> 00:26:12,500 FOR THE RIGHT TIME TO TELL HIM. 1106 00:26:12,500 --> 00:26:14,533 BUT MAYBE THE RIGHT TIME IS NOW. 1107 00:26:14,533 --> 00:26:15,467 ALL RIGHT, WELL, WE'RE GONNA SIT 1108 00:26:15,467 --> 00:26:16,133 AND TALK ABOUT IT. 1109 00:26:16,133 --> 00:26:17,567 YEAH, 'CAUSE IT MIGHT BE 1110 00:26:17,567 --> 00:26:19,200 A POSSIBILITY OF MOVING. 1111 00:26:19,200 --> 00:26:19,900 THANK YOU. 1112 00:26:19,900 --> 00:26:20,567 THANK YOU SO MUCH. 1113 00:26:20,567 --> 00:26:21,400 YOUR HEALTH IS IMPORTANT. 1114 00:26:21,400 --> 00:26:22,067 YES, MA'AM. 1115 00:26:22,067 --> 00:26:23,567 YEAH. IT'S ALWAYS SOMETHING. 1116 00:26:23,567 --> 00:26:24,933 WE SANK THOUSANDS OF DOLLARS 1117 00:26:24,933 --> 00:26:25,800 INTO THIS PROPERTY 1118 00:26:25,800 --> 00:26:26,600 SO WE CAN HAVE A PLACE 1119 00:26:26,600 --> 00:26:28,233 WHERE WE CAN LIVE AND WORK. 1120 00:26:28,233 --> 00:26:29,667 BUT WE GOT LEAKY CEILINGS. 1121 00:26:29,667 --> 00:26:31,100 I GOT MOLD ON THE WALL. 1122 00:26:31,100 --> 00:26:32,067 YO, THIS [bleep] PLACE 1123 00:26:32,067 --> 00:26:33,600 IS A MONEY PIT. 1124 00:26:33,600 --> 00:26:34,267 WHOO. 1125 00:26:34,267 --> 00:26:36,333 THIS IS A CASH PIT, 1126 00:26:36,333 --> 00:26:37,667 MONEY PIT. 1127 00:26:37,667 --> 00:26:39,933 JUST GOING TO THE PITS, MAN, 1128 00:26:39,933 --> 00:26:41,567 FOR REAL. 1129 00:26:41,567 --> 00:26:42,367 I MEAN, I HEAR YOU. 1130 00:26:42,367 --> 00:26:43,067 LISTEN, 1131 00:26:43,067 --> 00:26:45,500 WHAT DO YOU SUGGEST WE DO? 1132 00:26:45,500 --> 00:26:46,400 AIN'T NOBODY TRYING TO DIE 1133 00:26:46,400 --> 00:26:47,200 FROM THE MOLD BEING 1134 00:26:47,200 --> 00:26:48,667 IN NO BATHROOM OR IN THE WALLS 1135 00:26:48,667 --> 00:26:50,100 THAT WE DON'T KNOW ABOUT, 1136 00:26:50,100 --> 00:26:51,700 STRAIGHT UP. 1137 00:26:51,700 --> 00:26:52,867 BE TOTALLY HONEST WITH YOU, MAN, 1138 00:26:52,867 --> 00:26:53,533 LIKE, I'VE BEEN 1139 00:26:53,533 --> 00:26:54,800 COUGHING AND FEELING SICK 1140 00:26:54,800 --> 00:26:57,567 AND A LITTLE STRANGE. 1141 00:26:57,567 --> 00:26:58,333 STRANGE? 1142 00:26:58,333 --> 00:26:59,067 YEAH. 1143 00:26:59,067 --> 00:27:00,933 LIKE WHAT? 1144 00:27:00,933 --> 00:27:04,067 WHAT YOU GOT, MAMA? 1145 00:27:04,067 --> 00:27:05,100 WHAT? 1146 00:27:05,100 --> 00:27:07,367 I TOOK A PREGNANCY TEST. 1147 00:27:07,367 --> 00:27:09,833 AND WHAT HAPPENED? 1148 00:27:09,833 --> 00:27:10,767 WELL, IT SAYS YOU 1149 00:27:10,767 --> 00:27:12,833 ABOUT TO BE A DADDY AGAIN. 1150 00:27:12,833 --> 00:27:13,700 STOP PLAYING. 1151 00:27:13,700 --> 00:27:14,433 I PROMISE ON EVERYTHING 1152 00:27:14,433 --> 00:27:15,100 I LOVE. 1153 00:27:15,100 --> 00:27:15,767 HOW THAT HAPPEN? 1154 00:27:15,767 --> 00:27:16,433 WHAT DO YOU MEAN, 1155 00:27:16,433 --> 00:27:17,100 HOW THAT HAPPEN? 1156 00:27:17,100 --> 00:27:18,333 YOU KNOW HOW IT HAPPENED. 1157 00:27:18,333 --> 00:27:20,267 THAT'S THAT MAKEUP SEX. 1158 00:27:20,267 --> 00:27:21,100 THAT'S WHAT IT DO TO YOU, HUH? 1159 00:27:21,100 --> 00:27:22,100 YEAH, THAT'S WHAT IT WAS. 1160 00:27:22,100 --> 00:27:22,967 IT DO. 1161 00:27:22,967 --> 00:27:24,267 YEAH. 1162 00:27:24,267 --> 00:27:25,667 WOW. 1163 00:27:25,667 --> 00:27:26,767 I WASN'T EXPECTING THIS. 1164 00:27:26,767 --> 00:27:27,733 IT'S GOOD NEWS, 1165 00:27:27,733 --> 00:27:28,500 BUT IT SEEMS LIKE IT'S 1166 00:27:28,500 --> 00:27:30,067 COMING TO ME AT A BAD TIME. 1167 00:27:30,067 --> 00:27:31,633 NOW THAT KALENNA'S PREGNANT, 1168 00:27:31,633 --> 00:27:32,333 THERE'S NO WAY 1169 00:27:32,333 --> 00:27:33,600 WE GONNA STAY HERE. 1170 00:27:33,600 --> 00:27:34,467 WE GOT TO GET OUT OF HERE. 1171 00:27:34,467 --> 00:27:35,667 LIKE, IF THAT'S THE CASE, 1172 00:27:35,667 --> 00:27:37,833 I DON'T NEED TO BE PREGNANT 1173 00:27:37,833 --> 00:27:39,067 IN HERE AND MOLD. 1174 00:27:39,067 --> 00:27:40,800 NO MATTER WHAT IT COSTS, 1175 00:27:40,800 --> 00:27:42,200 NO MATTER WHAT I HAVE TO DO, 1176 00:27:42,200 --> 00:27:42,867 I MAKE SURE 1177 00:27:42,867 --> 00:27:43,667 WE GONNA BE OUT OF HERE. 1178 00:27:43,667 --> 00:27:44,900 THIS IS--THIS IS IT. 1179 00:27:44,900 --> 00:27:45,567 YOU KNOW WHAT I MEAN? 1180 00:27:45,567 --> 00:27:46,267 SO I GOT YOU. 1181 00:27:46,267 --> 00:27:47,333 WE GONNA DO THIS TOGETHER, BABY. 1182 00:27:47,333 --> 00:27:49,533 I LOVE YOU. 1183 00:27:49,533 --> 00:27:51,533 MM. 1184 00:27:58,467 --> 00:27:59,800 IN THE PEOPLE'S CASE, 1185 00:27:59,800 --> 00:28:01,600 MOMMA DEE VERSUS SCRAPPY 1186 00:28:01,600 --> 00:28:02,533 AND HIS HAREM, 1187 00:28:02,533 --> 00:28:04,233 I HAVE ONCE AGAIN 1188 00:28:04,233 --> 00:28:06,200 EMERGED VICTORIOUS. 1189 00:28:06,200 --> 00:28:07,700 SCRAPPY SAID IF I STAY 1190 00:28:07,700 --> 00:28:09,200 OUT OF HIS RELATIONSHIPS, 1191 00:28:09,200 --> 00:28:10,067 HE WILL REWARD ME 1192 00:28:10,067 --> 00:28:10,833 WITH A SCOOTER. 1193 00:28:10,833 --> 00:28:12,233 SO TODAY I'M HERE 1194 00:28:12,233 --> 00:28:13,300 TO BE PRESENTED 1195 00:28:13,300 --> 00:28:15,633 WITH THE ROYAL SCOOTER. 1196 00:28:15,633 --> 00:28:16,433 HEY. 1197 00:28:16,433 --> 00:28:17,300 HEY, HANDSOME. 1198 00:28:17,300 --> 00:28:17,967 HOW YOU DOING, MOM? 1199 00:28:17,967 --> 00:28:20,400 MOMMA'S BIG MAN AS ALWAYS. 1200 00:28:20,400 --> 00:28:21,700 HOW YOU DOING? 1201 00:28:21,700 --> 00:28:22,533 THE TIME 1202 00:28:22,533 --> 00:28:24,233 OF JUSTICE HAS ARRIVED. 1203 00:28:24,233 --> 00:28:25,400 LIKE, "HAMMER TIME." 1204 00:28:25,400 --> 00:28:26,067 OH, OKAY. 1205 00:28:26,067 --> 00:28:27,533 THE TIME HAS ARRIVED. 1206 00:28:27,533 --> 00:28:28,200 OKAY. 1207 00:28:28,200 --> 00:28:28,867 YEAH, 1208 00:28:28,867 --> 00:28:30,467 I WANT MY SCOOTER, SCRAPPY. 1209 00:28:30,467 --> 00:28:31,900 YOU GONNA TRY TO BE 1210 00:28:31,900 --> 00:28:35,900 A NEGOTIATOR, COACH BOTH SIDES, 1211 00:28:35,900 --> 00:28:37,067 AND TAKE STUFF 1212 00:28:37,067 --> 00:28:38,300 INTO YOUR OWN HANDS. 1213 00:28:38,300 --> 00:28:39,833 AND I DON'T THINK THAT'S STAYING 1214 00:28:39,833 --> 00:28:41,167 OUT THE BUSINESS, YOU FEEL ME? 1215 00:28:41,167 --> 00:28:42,400 MOMMA WAS PLAYING REFEREE. 1216 00:28:42,400 --> 00:28:43,067 ONLY THING 1217 00:28:43,067 --> 00:28:44,267 I WAS MISSING IS THE UNIFORM 1218 00:28:44,267 --> 00:28:45,933 AND A WHISTLE WITH A CAP ON. 1219 00:28:45,933 --> 00:28:46,900 BUT THAT'S WHEN IT DON'T 1220 00:28:46,900 --> 00:28:48,100 COUNT FOR YOU TO STEP IN. 1221 00:28:48,100 --> 00:28:48,800 STRIKE. 1222 00:28:48,800 --> 00:28:49,600 THAT'S WHAT I'M TALKING 1223 00:28:49,600 --> 00:28:50,267 ABOUT. 1224 00:28:50,267 --> 00:28:50,933 YOU SHOULD HAVE JUST 1225 00:28:50,933 --> 00:28:51,833 LET ME HANDLE IT. 1226 00:28:51,833 --> 00:28:53,067 I HAD YOUR BACK. 1227 00:28:53,067 --> 00:28:53,733 EVEN THOUGH YOU FELT I 1228 00:28:53,733 --> 00:28:55,533 SHOULDN'T HAVE STEPPED IN THAT, 1229 00:28:55,533 --> 00:28:57,500 I WANT MY SCOOTER. 1230 00:28:57,500 --> 00:28:58,167 GIVE ME MY SCOOTER. 1231 00:28:58,167 --> 00:28:59,567 I APPRECIATE MOMMA DUKE'S 1232 00:28:59,567 --> 00:29:01,400 ADVICE THAT SHE GIVE ME, 'CAUSE 1233 00:29:01,400 --> 00:29:02,433 IT LET ME KNOW, LIKE, 1234 00:29:02,433 --> 00:29:03,967 HOW WOMEN FEEL ABOUT THINGS. 1235 00:29:03,967 --> 00:29:04,967 SO I MIGHT THINK 1236 00:29:04,967 --> 00:29:06,200 ABOUT GETTING HER THE SCOOT, 1237 00:29:06,200 --> 00:29:08,333 BUT I GOT MOMMA DEE GIFT 1238 00:29:08,333 --> 00:29:09,633 OF GOOD NEWS RIGHT NOW. 1239 00:29:09,633 --> 00:29:11,200 I'M GETTIN' BACK WITH THE BAMBI. 1240 00:29:11,200 --> 00:29:12,767 YOU FEEL ME? 1241 00:29:12,767 --> 00:29:13,600 I'MA KEEP IT REAL WITH YOU, 1242 00:29:13,600 --> 00:29:15,733 'CAUSE YOU KNOW I REALLY-- 1243 00:29:15,733 --> 00:29:17,367 I REALLY LOVE BAM. 1244 00:29:17,367 --> 00:29:18,100 YOU KNOW WHAT I'M SAYING? 1245 00:29:18,100 --> 00:29:19,067 I MET WITH BAM LIKE THAT, 1246 00:29:19,067 --> 00:29:19,667 YOU FEEL ME? 1247 00:29:19,667 --> 00:29:20,700 LET ME TELL YOU SOMETHING. 1248 00:29:20,700 --> 00:29:22,533 I'MA GIVE BAMBI HER PROPS. 1249 00:29:22,533 --> 00:29:24,467 THE BAMBI IS YOUR WOMAN, 1250 00:29:24,467 --> 00:29:25,767 AND I GOT TO ACCEPT THAT. 1251 00:29:25,767 --> 00:29:27,267 BAMBI. HER NAME IS BAMBI. 1252 00:29:27,267 --> 00:29:29,600 NO, NOT UNTIL YOU SAY "I DO." 1253 00:29:29,600 --> 00:29:30,267 'CAUSE I ALREADY-- 1254 00:29:30,267 --> 00:29:30,933 BUT YOU KNOW WHAT? 1255 00:29:30,933 --> 00:29:31,667 'CAUSE I ALREADY DONE 1256 00:29:31,667 --> 00:29:33,667 GAVE HER A RING. 1257 00:29:36,300 --> 00:29:37,800 YOU GAVE HER A WHAT? 1258 00:29:37,800 --> 00:29:39,667 I GAVE HER A RING, MOM. 1259 00:29:39,667 --> 00:29:41,667 WITHOUT MY PERMISSION? 1260 00:29:41,667 --> 00:29:42,333 MA, LISTEN-- 1261 00:29:42,333 --> 00:29:43,067 BABY, 1262 00:29:43,067 --> 00:29:44,233 I'M NOT GONNA SIT IN MY PALACE 1263 00:29:44,233 --> 00:29:45,400 AND THINK YOU GONNA DETHRONE ME. 1264 00:29:45,400 --> 00:29:47,200 IT AIN'T NO ENGAGEMENT RING. 1265 00:29:47,200 --> 00:29:49,200 NO, I'M NOT GIVING YOU THAT. 1266 00:29:49,200 --> 00:29:50,433 YOU NOT GONNA COME IN MY PALACE 1267 00:29:50,433 --> 00:29:51,500 AND DETHRONE ME. 1268 00:29:51,500 --> 00:29:53,867 IT'S NOT AN ENGAGEMENT RING. 1269 00:29:53,867 --> 00:29:54,533 WELL, WHAT IS IT? 1270 00:29:54,533 --> 00:29:55,200 IT'S A PROMISE 1271 00:29:55,200 --> 00:29:56,700 FRIENDSHIP LOVE RING. 1272 00:29:56,700 --> 00:29:58,333 LIKE, IT'S--YOU KNOW. 1273 00:29:58,333 --> 00:29:59,067 NO. 1274 00:29:59,067 --> 00:30:02,500 [laughing] 1275 00:30:02,500 --> 00:30:03,867 SO SCRAPPY THINK HE'S FUNNY 1276 00:30:03,867 --> 00:30:05,067 TO SCARE ME HALF TO DEATH 1277 00:30:05,067 --> 00:30:05,767 LIKE THAT? 1278 00:30:05,767 --> 00:30:06,800 REALLY, SCRAPPY? 1279 00:30:06,800 --> 00:30:07,767 EVEN THOUGH IT'S 1280 00:30:07,767 --> 00:30:09,133 JUST A FRIENDSHIP RING, 1281 00:30:09,133 --> 00:30:10,100 HE HAS NO BUSINESS 1282 00:30:10,100 --> 00:30:12,033 PROMISING THE BAMBI ANY RING 1283 00:30:12,033 --> 00:30:13,500 WITHOUT COMING TO ME. 1284 00:30:13,500 --> 00:30:15,667 LORD, GOD, JESUS, 1285 00:30:15,667 --> 00:30:16,700 I SEE MORE WORK 1286 00:30:16,700 --> 00:30:19,067 FOR ME IN THE NEAR FUTURE. 1287 00:30:19,067 --> 00:30:20,533 YOU GAVE THE BAMBI 1288 00:30:20,533 --> 00:30:21,767 A FRIENDSHIP RING. 1289 00:30:21,767 --> 00:30:23,033 FRIENDSHIP PROMISE LOVE RING. 1290 00:30:23,033 --> 00:30:24,833 OKAY, SO THEY 1291 00:30:24,833 --> 00:30:25,667 DON'T INCLUDE ERICA PINKETT. 1292 00:30:25,667 --> 00:30:26,333 NO. 1293 00:30:26,333 --> 00:30:27,000 SHE DON'T GET 1294 00:30:27,000 --> 00:30:27,667 A FRIENDSHIP RING. 1295 00:30:27,667 --> 00:30:28,333 NO. 1296 00:30:28,333 --> 00:30:29,000 SO YOU AIN'T 1297 00:30:29,000 --> 00:30:29,733 ALL OVER THE PLACE? 1298 00:30:29,733 --> 00:30:30,867 NO, I'M NOT. 1299 00:30:30,867 --> 00:30:31,833 ENOUGH ABOUT PINKETT, 1300 00:30:31,833 --> 00:30:33,900 ENOUGH ABOUT ALL THAT. 1301 00:30:33,900 --> 00:30:34,567 WHAT I NEED-- 1302 00:30:34,567 --> 00:30:35,433 A SCOOTER. 1303 00:30:35,433 --> 00:30:36,100 NO, NO, NO. 1304 00:30:36,100 --> 00:30:37,367 I'M GLAD YOU SAID THAT. 1305 00:30:37,367 --> 00:30:40,400 CAN I SEE YOUR WATCH? 1306 00:30:40,400 --> 00:30:41,833 TIME TICKING. 1307 00:30:41,833 --> 00:30:43,467 TICK TOCK, TICK TOCK. 1308 00:30:43,467 --> 00:30:44,133 YOU KNOW WHAT, MA? 1309 00:30:44,133 --> 00:30:45,733 I WANT TO KNOW HOW THAT MOUSE 1310 00:30:45,733 --> 00:30:50,000 CLIMB UP THAT CLOCK DOOR, HM. 1311 00:30:50,000 --> 00:30:51,167 THIS IS WHAT YOU DON'T GET. 1312 00:30:51,167 --> 00:30:52,067 I UNDERSTAND THIS. 1313 00:30:52,067 --> 00:30:52,733 DO YOU? 1314 00:30:52,733 --> 00:30:53,800 'CAUSE I'VE NEVER JUDGED YOU 1315 00:30:53,800 --> 00:30:55,000 FOR [bleep] YOU'VE EVER DONE. 1316 00:30:55,000 --> 00:30:55,700 AM I JUDGING YOU NOW? 1317 00:30:55,700 --> 00:30:56,500 AM I JUDGING YOU RIGHT NOW? 1318 00:30:56,500 --> 00:30:57,700 "OH, YOU A PORN STAR." 1319 00:30:57,700 --> 00:31:12,567 I SAID THAT TO YOU JOKINGLY. 1320 00:31:12,567 --> 00:31:14,233 SO WE WERE INVITED HERE. 1321 00:31:14,233 --> 00:31:14,900 YES. 1322 00:31:14,900 --> 00:31:15,733 HAVE YOU TALKED TO HER? 1323 00:31:15,733 --> 00:31:17,067 I DID TALK TO HER BUT NOT 1324 00:31:17,067 --> 00:31:17,800 ABOUT THE TAPE. 1325 00:31:17,800 --> 00:31:18,467 SO Y'ALL NEVER 1326 00:31:18,467 --> 00:31:19,400 DISCUSSED ANYTHING. 1327 00:31:19,400 --> 00:31:20,300 WE TALKED ABOUT HER DAD. 1328 00:31:20,300 --> 00:31:22,233 HE HAD TO GET HIS LEG AMPUTATED. 1329 00:31:22,233 --> 00:31:23,133 OH, NO. 1330 00:31:23,133 --> 00:31:23,800 SO YOU DIDN'T HEAR 1331 00:31:23,800 --> 00:31:24,467 ABOUT THE STROKE? 1332 00:31:24,467 --> 00:31:25,333 NO. 1333 00:31:25,333 --> 00:31:26,067 HER DAD HAD A STROKE. 1334 00:31:26,067 --> 00:31:27,300 I HAVEN'T TALKED TO MIMI 1335 00:31:27,300 --> 00:31:28,567 SINCE WE WERE AT THE SPA. 1336 00:31:28,567 --> 00:31:29,567 I JUST KNOW SHE'S GONNA 1337 00:31:29,567 --> 00:31:31,500 GET OVERLY DEFENSIVE 1338 00:31:31,500 --> 00:31:32,367 AND COME IN HERE 1339 00:31:32,367 --> 00:31:33,933 WITH THIS ATTITUDE, 1340 00:31:33,933 --> 00:31:36,133 BUT I'M NOT HERE FOR ALL THAT. 1341 00:31:36,133 --> 00:31:37,067 LIKE, I JUST-- 1342 00:31:37,067 --> 00:31:37,933 I REALLY WANT YOU TO-- 1343 00:31:37,933 --> 00:31:38,933 I WANT TO LET YOU KNOW 1344 00:31:38,933 --> 00:31:40,433 HOW I FEEL AS YOUR FRIEND. 1345 00:31:40,433 --> 00:31:41,100 RIGHT. 1346 00:31:41,100 --> 00:31:42,800 LIKE, THIS AIN'T NO FLYBY, 1347 00:31:42,800 --> 00:31:43,733 NO WAVE KIND OF THING. 1348 00:31:43,733 --> 00:31:44,400 HI, LADIES. 1349 00:31:44,400 --> 00:31:45,100 WHAT'S UP? 1350 00:31:45,100 --> 00:31:45,833 HI. 1351 00:31:45,833 --> 00:31:46,600 HEY. 1352 00:31:46,600 --> 00:31:47,633 I JUST LEFT MY DAD 1353 00:31:47,633 --> 00:31:48,300 IN NEW YORK. 1354 00:31:48,300 --> 00:31:50,067 HE'S DOING BETTER, THANK GOD. 1355 00:31:50,067 --> 00:31:50,900 NOW I HAVE SOME THINGS 1356 00:31:50,900 --> 00:31:52,500 I NEED TO HANDLE IN MY OWN LIFE. 1357 00:31:52,500 --> 00:31:53,867 I'VE BEEN HEARING THAT MY GIRLS 1358 00:31:53,867 --> 00:31:54,700 FEEL SOME TYPE OF WAY 1359 00:31:54,700 --> 00:31:55,667 ABOUT MY SEX TAPE. 1360 00:31:55,667 --> 00:31:56,867 SO I INVITED THEM ALL OUT 1361 00:31:56,867 --> 00:31:57,900 TO SET THE RECORD STRAIGHT 1362 00:31:57,900 --> 00:31:58,567 AND BE DONE 1363 00:31:58,567 --> 00:31:59,867 WITH THIS ONCE AND FOR ALL. 1364 00:31:59,867 --> 00:32:01,500 I TALKED TO ERICA. 1365 00:32:01,500 --> 00:32:02,767 I KNOW HOW ERICA FEELS. 1366 00:32:02,767 --> 00:32:04,933 SO I CALLED Y'ALL HERE TO-- 1367 00:32:04,933 --> 00:32:07,567 IT'S ON THE TABLE RIGHT NOW. 1368 00:32:07,567 --> 00:32:08,400 AND TALK ABOUT IT. 1369 00:32:08,400 --> 00:32:09,067 WELL, WHEN I 1370 00:32:09,067 --> 00:32:11,100 INITIALLY SAW IT, I WAS LIKE, 1371 00:32:11,100 --> 00:32:12,600 "THIS IS NOT A SEX TAPE." 1372 00:32:12,600 --> 00:32:13,267 WHEN I LOOKED AT IT, 1373 00:32:13,267 --> 00:32:14,167 I WAS LIKE, "THIS BITCH LOOK 1374 00:32:14,167 --> 00:32:16,100 LIKE A MOVIE," BUT YOU SAYING 1375 00:32:16,100 --> 00:32:16,900 IT'S SOMETHING ELSE. 1376 00:32:16,900 --> 00:32:18,867 HEY, WE WOULD HOPE THAT IT IS 1377 00:32:18,867 --> 00:32:20,133 WHAT YOU SAYING IT IS. 1378 00:32:20,133 --> 00:32:21,633 SO YOU THINK I LIED TO YOU? 1379 00:32:21,633 --> 00:32:22,567 I DID. 1380 00:32:22,567 --> 00:32:23,567 WOW. 1381 00:32:23,567 --> 00:32:26,467 IT LOOKED PRETTY MOVIE-LIKE. 1382 00:32:26,467 --> 00:32:27,800 THEY CUT IT AND SLOWED 1383 00:32:27,800 --> 00:32:29,100 IT DOWN AND SPEEDED IT UP 1384 00:32:29,100 --> 00:32:30,067 AND ADDED MUSIC. 1385 00:32:30,067 --> 00:32:30,667 YEAH, 1386 00:32:30,667 --> 00:32:31,500 ONCE YOU PUT ALL THAT [bleep], 1387 00:32:31,500 --> 00:32:32,200 IT'S GONNA LOOK 1388 00:32:32,200 --> 00:32:34,100 REAL [bleep] FANCY. 1389 00:32:34,100 --> 00:32:34,967 LET ME ASK YOU THIS. 1390 00:32:34,967 --> 00:32:36,300 WHEN YOU GUYS WERE SITTING DOWN 1391 00:32:36,300 --> 00:32:37,067 AND TALKING, WHAT WAS 1392 00:32:37,067 --> 00:32:40,267 NIKKO'S WHOLE SWAG LIKE? 1393 00:32:40,267 --> 00:32:42,800 HE IS ABOUT HIS [bleep] 1394 00:32:42,800 --> 00:32:44,200 MONEY, PERIOD. 1395 00:32:44,200 --> 00:32:45,300 I'M NOT TRYING-- 1396 00:32:45,300 --> 00:32:46,500 I WANT TO QUESTION, LIKE... 1397 00:32:46,500 --> 00:32:47,200 I CAN'T EVEN EAT. 1398 00:32:47,200 --> 00:32:48,433 NIKKO AS A--I KNOW. 1399 00:32:48,433 --> 00:32:49,100 I WAS ABOUT TO SAY 1400 00:32:49,100 --> 00:32:49,767 THE SAME THING. 1401 00:32:49,767 --> 00:32:51,100 LIKE, AS A MAN, LIKE, I DON'T 1402 00:32:51,100 --> 00:32:52,333 WANT THE WORLD SEEING MY LADY. 1403 00:32:52,333 --> 00:32:53,067 SO I'MA TRY TO DO 1404 00:32:53,067 --> 00:32:55,600 WHAT I NEED TO DO TO STOP THIS. 1405 00:32:55,600 --> 00:32:56,300 FOR HER DAUGHTER. 1406 00:32:56,300 --> 00:32:56,967 THAT TOO. 1407 00:32:56,967 --> 00:32:57,933 FOR HER DAUGHTER FIRST. 1408 00:32:57,933 --> 00:33:00,367 THE BOTTOM LINE IS, 1409 00:33:00,367 --> 00:33:01,167 AM I GONNA CRY 1410 00:33:01,167 --> 00:33:03,133 ABOUT WHAT I COULD HAVE DONE, 1411 00:33:03,133 --> 00:33:05,067 OR AM I GONNA THINK ABOUT 1412 00:33:05,067 --> 00:33:06,733 WHAT IS GOING ON RIGHT NOW TODAY 1413 00:33:06,733 --> 00:33:07,600 AND WHAT I GOT TO DO 1414 00:33:07,600 --> 00:33:09,267 FROM RIGHT NOW MOVING FORWARD? 1415 00:33:09,267 --> 00:33:10,733 NOBODY'S HERE TO JUMP ON YOU, 1416 00:33:10,733 --> 00:33:11,400 MIMI, LIKE-- 1417 00:33:11,400 --> 00:33:12,067 NO, NO, NO, NO, NO. 1418 00:33:12,067 --> 00:33:12,800 I JUST--YOU'RE JUST 1419 00:33:12,800 --> 00:33:13,600 SO LIKE THIS. 1420 00:33:13,600 --> 00:33:14,700 IF YOU'RE MY FRIEND, 1421 00:33:14,700 --> 00:33:16,133 I NEED YOU TO BE MY FRIEND. 1422 00:33:16,133 --> 00:33:17,367 THIS IS WHAT YOU DON'T GET. 1423 00:33:17,367 --> 00:33:18,267 I UNDERSTAND THIS. 1424 00:33:18,267 --> 00:33:18,933 DO YOU? 1425 00:33:18,933 --> 00:33:20,300 'CAUSE I'VE NEVER JUDGED YOU 1426 00:33:20,300 --> 00:33:21,400 FOR [bleep] YOU'VE EVER DONE. 1427 00:33:21,400 --> 00:33:22,300 AM I JUDGING YOU RIGHT NOW? 1428 00:33:22,300 --> 00:33:23,167 DON'T GET LOUD, Y'ALL. 1429 00:33:23,167 --> 00:33:23,833 ARIANE, IT HAS BEEN 1430 00:33:23,833 --> 00:33:24,500 SEVERAL TIMES. 1431 00:33:24,500 --> 00:33:25,233 BUT AM I JUDGING HER NOW? 1432 00:33:25,233 --> 00:33:26,067 IS THIS ME JUDGING? 1433 00:33:26,067 --> 00:33:26,733 I JUST SAID-- 1434 00:33:26,733 --> 00:33:27,400 SEVERAL TIMES. 1435 00:33:27,400 --> 00:33:28,533 "OH, YOU A PORN STAR." 1436 00:33:28,533 --> 00:33:29,600 I SAID THAT TO YOU JOKINGLY. 1437 00:33:29,600 --> 00:33:30,267 JOKINGLY. 1438 00:33:30,267 --> 00:33:30,933 IT WAS. 1439 00:33:30,933 --> 00:33:31,600 THAT'S A JOKE? 1440 00:33:31,600 --> 00:33:32,267 MIMI, IT WAS A JOKE, 1441 00:33:32,267 --> 00:33:32,967 BECAUSE I DIDN'T THINK 1442 00:33:32,967 --> 00:33:33,867 IT WAS AN ACTUAL PORN. 1443 00:33:33,867 --> 00:33:35,067 I MADE A DECISION, 1444 00:33:35,067 --> 00:33:36,733 AND I'MA LIVE BY MY DECISION 1445 00:33:36,733 --> 00:33:38,200 NO MATTER HOW YOU FEEL ABOUT IT, 1446 00:33:38,200 --> 00:33:40,833 YOU OR YOU. 1447 00:33:40,833 --> 00:33:43,100 WHY ARE YOU CRYING, ARIANE? 1448 00:33:43,100 --> 00:33:44,067 MIMI, WE HAVE GONE 1449 00:33:44,067 --> 00:33:45,333 THROUGH SO MUCH. 1450 00:33:45,333 --> 00:33:46,867 IT JUST SUCKS TO HEAR YOU SAY, 1451 00:33:46,867 --> 00:33:48,067 "OH, WELL, I DON'T NEED 1452 00:33:48,067 --> 00:33:48,833 TO BE JUDGED BY YOU. 1453 00:33:48,833 --> 00:33:49,533 YOU DON'T DO THIS." 1454 00:33:49,533 --> 00:33:50,200 LIKE, WHAT-- 1455 00:33:50,200 --> 00:33:51,067 BUT YOU JUDGE ME 1456 00:33:51,067 --> 00:33:51,700 IN MY RELATIONSHIPS. 1457 00:33:51,700 --> 00:33:52,367 NO. 1458 00:33:52,367 --> 00:33:53,067 YES, YOU DO. 1459 00:33:53,067 --> 00:33:53,700 I'M NOT JUDGING 1460 00:33:53,700 --> 00:33:54,533 YOU IN YOUR RELATIONSHIPS. 1461 00:33:54,533 --> 00:33:56,200 I ASK YOU PERSONAL THINGS 1462 00:33:56,200 --> 00:33:57,933 BECAUSE, MIMI, IT BOTHERS ME 1463 00:33:57,933 --> 00:33:59,267 THAT YOU KEEP CHOOSING 1464 00:33:59,267 --> 00:34:00,633 THE SAME KIND OF GUY. 1465 00:34:00,633 --> 00:34:01,300 LET ME TELL YOU THE 1466 00:34:01,300 --> 00:34:02,400 DIFFERENCE BETWEEN ME AND YOU. 1467 00:34:02,400 --> 00:34:04,467 I WILL KEEP MY OPINION TO MYSELF 1468 00:34:04,467 --> 00:34:05,467 IF I DON'T LIKE 1469 00:34:05,467 --> 00:34:06,767 WHOEVER IT IS THAT YOU [bleep]. 1470 00:34:06,767 --> 00:34:08,067 I HAVE AN OPINION 1471 00:34:08,067 --> 00:34:09,067 ABOUT SOMETHING. 1472 00:34:09,067 --> 00:34:09,733 YOU GOT SOMETHING 1473 00:34:09,733 --> 00:34:11,700 TO SAY ABOUT HIM ALL THE TIME. 1474 00:34:11,700 --> 00:34:13,067 I DON'T LIKE HIM. SO WHAT? 1475 00:34:13,067 --> 00:34:13,933 OKAY, THAT'S FINE. 1476 00:34:13,933 --> 00:34:16,400 LOOK, YOU DON'T LIKE HIM. 1477 00:34:16,400 --> 00:34:17,733 IT'S BEEN DECLARED. 1478 00:34:17,733 --> 00:34:19,367 WHAT'S DONE IS DONE. 1479 00:34:19,367 --> 00:34:20,333 YOU GOT TO HANDLE THE SITUATION 1480 00:34:20,333 --> 00:34:21,067 THE BEST WAY 1481 00:34:21,067 --> 00:34:22,100 YOU KNOW HOW AT THIS POINT. 1482 00:34:22,100 --> 00:34:22,900 I DID SOMETHING 1483 00:34:22,900 --> 00:34:24,067 THAT I CAN'T TAKE BACK, 1484 00:34:24,067 --> 00:34:25,467 AND I GOT TO LIVE WITH THAT. 1485 00:34:25,467 --> 00:34:26,133 AND GUESS WHAT? 1486 00:34:26,133 --> 00:34:28,067 I'M OKAY WITH THAT. 1487 00:34:28,067 --> 00:34:29,133 IF YOU CAN LIVE WITH IT, 1488 00:34:29,133 --> 00:34:30,533 ALL THE THREE OF US DAMN SURE 1489 00:34:30,533 --> 00:34:31,200 GONNA LIVE WITH IT, 1490 00:34:31,200 --> 00:34:32,200 AND THAT'S JUST WHAT IT IS. 1491 00:34:32,200 --> 00:34:32,867 AND THAT'S MY THING. 1492 00:34:32,867 --> 00:34:33,533 EVERYBODY'S LIKE, 1493 00:34:33,533 --> 00:34:34,200 "ARE YOU OKAY?" 1494 00:34:34,200 --> 00:34:35,067 LIKE I'M A CORNER 1495 00:34:35,067 --> 00:34:36,100 ABOUT TO SLIT MY WRIST. 1496 00:34:36,100 --> 00:34:36,767 NO, I DONE BEEN 1497 00:34:36,767 --> 00:34:40,133 THROUGH WORSE [bleep] THAN THIS. 1498 00:34:40,133 --> 00:34:41,067 I MEAN, DO YOU HAVE ANY 1499 00:34:41,067 --> 00:34:42,100 REGRETS ON IT AT ALL? 1500 00:34:42,100 --> 00:34:42,767 DO YOU? 1501 00:34:42,767 --> 00:34:43,433 EXCUSE ME, RASHEEDA. 1502 00:34:43,433 --> 00:34:44,300 HOW'S YOUR DAD DOING? 1503 00:34:44,300 --> 00:34:46,600 IS YOUR DAD OKAY? 1504 00:34:46,600 --> 00:34:49,233 [sighs] 1505 00:34:49,233 --> 00:34:51,233 MY DAD JUST HAD HIS LEG 1506 00:34:51,233 --> 00:34:52,467 AMPUTATED. 1507 00:34:52,467 --> 00:34:54,533 HE'S STILL NOT ABLE TO SPEAK. 1508 00:34:54,533 --> 00:34:56,633 SO I GOT TO FIGURE OUT AT 1509 00:34:56,633 --> 00:34:58,600 THIS POINT, WHAT AM I GONNA DO, 1510 00:34:58,600 --> 00:35:00,967 BECAUSE I GOT TO FIGURE OUT 1511 00:35:00,967 --> 00:35:02,433 WHAT I'MA DO WITH MY FATHER. 1512 00:35:02,433 --> 00:35:04,367 I'M DEALING WITH THIS AND THAT 1513 00:35:04,367 --> 00:35:06,200 SIMULTANEOUSLY. 1514 00:35:06,200 --> 00:35:07,333 WELL, I'M SO SORRY 1515 00:35:07,333 --> 00:35:08,067 TO HEAR THAT. 1516 00:35:08,067 --> 00:35:09,733 I JUST WANT SOMEBODY 1517 00:35:09,733 --> 00:35:11,333 IN MY CORNER TO JUST BE THERE 1518 00:35:11,333 --> 00:35:13,533 TO JUST BE LIKE, "NO MATTER 1519 00:35:13,533 --> 00:35:15,433 WHAT THE [bleep], I'M WITH YOU." 1520 00:35:15,433 --> 00:35:16,733 THAT'S WHAT WE ALL JUST SAID. 1521 00:35:16,733 --> 00:35:17,633 WE VOICED OUR OPINIONS, 1522 00:35:17,633 --> 00:35:18,400 BUT WE LETTING YOU KNOW, 1523 00:35:18,400 --> 00:35:19,167 LIKE, WE SUPPORT YOU. 1524 00:35:19,167 --> 00:35:19,833 WE GOT YOUR BACK. 1525 00:35:19,833 --> 00:35:20,500 I MEAN, THE THING IS, 1526 00:35:20,500 --> 00:35:21,900 IT DOESN'T CHANGE THE DYNAMIC 1527 00:35:21,900 --> 00:35:23,433 OF OUR FRIENDSHIP. 1528 00:35:23,433 --> 00:35:24,833 YOU KNOW, EVERYBODY DO [bleep] 1529 00:35:24,833 --> 00:35:25,700 YOU DON'T AGREE WITH. 1530 00:35:25,700 --> 00:35:26,633 EACH PERSON GOT TO LIVE 1531 00:35:26,633 --> 00:35:27,300 WITH THE [bleep] 1532 00:35:27,300 --> 00:35:28,500 THEY DECIDE TO DO IN THEIR LIFE. 1533 00:35:28,500 --> 00:35:29,367 AND THAT'S THE THING. WE'RE 1534 00:35:29,367 --> 00:35:30,533 GONNA MOVE ON FROM THIS TOO. 1535 00:35:30,533 --> 00:35:31,767 I KNOW WE ARE, 1536 00:35:31,767 --> 00:35:33,100 BUT I JUST WANTED YOU TO KNOW 1537 00:35:33,100 --> 00:35:34,433 HOW I JUST REALLY 1538 00:35:34,433 --> 00:35:35,700 SINCERELY FELT ABOUT IT. 1539 00:35:35,700 --> 00:35:36,900 LIKE, MIMI, WHEN I SAW IT, 1540 00:35:36,900 --> 00:35:37,933 I WAS REALLY SHAKING. 1541 00:35:37,933 --> 00:35:38,600 YOU ACT 1542 00:35:38,600 --> 00:35:39,967 LIKE IT'S HAPPENING TO YOU. 1543 00:35:39,967 --> 00:35:41,333 I FEEL LIKE IT. 1544 00:35:41,333 --> 00:35:42,267 ARIANE NEEDS TO DRY 1545 00:35:42,267 --> 00:35:43,100 HER [bleep] TEARS 1546 00:35:43,100 --> 00:35:44,433 AND MOVE ON WITH HER LIFE. 1547 00:35:44,433 --> 00:35:46,200 I CAN'T SPEND ANY MORE TIME 1548 00:35:46,200 --> 00:35:46,967 COMFORTING HER 1549 00:35:46,967 --> 00:35:47,700 THROUGH THIS MESS. 1550 00:35:47,700 --> 00:35:50,233 IT'S MY PROBLEM, NOT HERS. 1551 00:35:50,233 --> 00:35:51,467 WHAT DO YOU WANT ME TO DO? 1552 00:35:51,467 --> 00:35:52,433 STOP FIGHTING ME. 1553 00:35:52,433 --> 00:35:53,900 I'M NOT FIGHTING. 1554 00:35:53,900 --> 00:35:56,167 WE GONNA GO TO SLEEP ON THIS. 1555 00:35:56,167 --> 00:35:57,200 I WANT TO LOOK YOU EYE TO EYE. 1556 00:35:57,200 --> 00:35:58,833 AND I WANT TO KNOW EVERYTHING 1557 00:35:58,833 --> 00:36:00,367 THAT YOU TOLD ALL OF US 1558 00:36:00,367 --> 00:36:01,467 ABOUT THE TAPE AS FAR 1559 00:36:01,467 --> 00:36:02,600 IT GETTING LEAKED AND THAT'S THE 1560 00:36:02,600 --> 00:36:03,700 REASON NIKKO PUT IT OUT THERE-- 1561 00:36:03,700 --> 00:36:05,133 THAT IS THE GOD HONEST TRUTH. 1562 00:36:05,133 --> 00:36:06,700 YES. 1563 00:36:06,700 --> 00:36:07,600 WHY WOULD I LIE 1564 00:36:07,600 --> 00:36:09,067 ABOUT THIS [bleep]? 1565 00:36:09,067 --> 00:36:10,600 THAT'S ALL I NEEDED TO KNOW. 1566 00:36:10,600 --> 00:36:11,900 AS LONG AS I DON'T HEAR THAT 1567 00:36:11,900 --> 00:36:13,900 MIMI WAS INVOLVED IN SOME SLICK 1568 00:36:13,900 --> 00:36:14,833 [bleep] ABOUT PUTTING THIS TAPE 1569 00:36:14,833 --> 00:36:17,233 OUT FOR SOME MONEY, I'M COOL. 1570 00:36:17,233 --> 00:36:18,067 OBVIOUSLY, MIMI 1571 00:36:18,067 --> 00:36:19,867 IS ADAMANT ABOUT HER POSITION, 1572 00:36:19,867 --> 00:36:21,500 SO I HAVE TO TRUST HER. 1573 00:36:21,500 --> 00:36:23,467 EVERYBODY--EVERYBODY'S GONNA 1574 00:36:23,467 --> 00:36:24,533 HAVE THEIR OPINION 1575 00:36:24,533 --> 00:36:25,567 ABOUT THIS [bleep]. 1576 00:36:25,567 --> 00:36:26,733 "OH, IT LOOKS LIKE THIS, 1577 00:36:26,733 --> 00:36:27,800 AND IT LOOKS LIKE THAT." 1578 00:36:27,800 --> 00:36:29,233 AND I KNOW WHAT THE [bleep] 1579 00:36:29,233 --> 00:36:30,533 IT IS. 1580 00:36:30,533 --> 00:36:32,100 SO I DON'T KNOW 1581 00:36:32,100 --> 00:36:33,800 WHAT ELSE TO SAY. 1582 00:36:33,800 --> 00:36:34,567 I FEEL LIKE I DON'T KNOW 1583 00:36:34,567 --> 00:36:35,700 WHO MIMI IS ANYMORE. 1584 00:36:35,700 --> 00:36:37,367 I FEEL LIKE SHE'S LOST HERSELF 1585 00:36:37,367 --> 00:36:39,100 AND SHE'S ACTING IRRATIONALLY 1586 00:36:39,100 --> 00:36:39,867 TOWARDS THE PEOPLE 1587 00:36:39,867 --> 00:36:42,300 THAT REALLY CARE AND LOVE HER. 1588 00:36:42,300 --> 00:36:43,833 I JUST WANT TO KNOW THAT I 1589 00:36:43,833 --> 00:36:45,433 CAN TRUST WHAT YOU'RE SAYING 1590 00:36:45,433 --> 00:36:46,433 IS TRUE. 1591 00:36:46,433 --> 00:36:47,800 THAT'S ALL. 1592 00:36:47,800 --> 00:36:49,067 I JUST HOPE THAT YOU 1593 00:36:49,067 --> 00:36:51,867 DID NOT LIE ABOUT IT. 1594 00:36:51,867 --> 00:36:53,100 IT'S BEEN DECLARED. 1595 00:36:53,100 --> 00:36:55,800 JUST LEAVE IT ALONE. 1596 00:36:55,800 --> 00:36:56,467 HOW DID I END UP 1597 00:36:56,467 --> 00:36:58,067 IN THE MAGAZINE WITH THE COVER 1598 00:36:58,067 --> 00:36:59,100 OF YOUR BABY MAMA IN THERE 1599 00:36:59,100 --> 00:37:00,167 TALKING ABOUT A SEX TAPE? 1600 00:37:00,167 --> 00:37:00,900 I WANT TO BE IN A MAGAZINE-- 1601 00:37:00,900 --> 00:37:22,600 YOU DESERVE THE-- 1602 00:37:22,600 --> 00:37:23,467 STEVIE AND BENZINO 1603 00:37:23,467 --> 00:37:24,467 TELL ME THEY WANT TO PUT ME 1604 00:37:24,467 --> 00:37:25,700 IN THE ISSUE OF HIP HOP WEEKLY. 1605 00:37:25,700 --> 00:37:26,900 I'M EXCITED. I'M HAPPY. 1606 00:37:26,900 --> 00:37:28,233 OKAY, CENTERFOLD. THAT'S COOL. 1607 00:37:28,233 --> 00:37:29,200 I COULD DO CENTERFOLD. 1608 00:37:29,200 --> 00:37:30,767 WHEN I SEE THE [bleep] MAGAZINE, 1609 00:37:30,767 --> 00:37:31,967 YOU GOT THIS OLD, TIRED MAID 1610 00:37:31,967 --> 00:37:33,633 TURN INTO PORN STAR 1611 00:37:33,633 --> 00:37:34,967 IN THE MAGAZINE. 1612 00:37:34,967 --> 00:37:35,800 SO I'M ABOUT TO WALK UP 1613 00:37:35,800 --> 00:37:37,233 IN THIS MOTHER[bleep] STUDIO 1614 00:37:37,233 --> 00:37:37,933 AND SEE WHAT'S POPPING 1615 00:37:37,933 --> 00:37:38,600 WITH HIM, 'CAUSE 1616 00:37:38,600 --> 00:37:39,367 HE GOT SOME EXPLAINING 1617 00:37:39,367 --> 00:37:42,867 TO DO TO ME. 1618 00:37:42,867 --> 00:37:44,133 * WHOO-WHEE 1619 00:37:44,133 --> 00:37:46,300 ♪ I'M A PROBLEM SOLVER ♪ 1620 00:37:46,300 --> 00:37:48,333 ♪ I'MA HIT THEM WITH A CLEAVER ♪ 1621 00:37:48,333 --> 00:37:49,833 ♪ TO FALL 1622 00:37:49,833 --> 00:37:50,667 ♪ AND I AIN'T REALLY ♪ 1623 00:37:50,667 --> 00:37:51,833 ♪ PLAYING FAIR 1624 00:37:51,833 --> 00:37:53,367 ♪ I'MA LEAVE HIS FACE RED ♪ 1625 00:37:53,367 --> 00:37:54,533 ♪ REINDEER 1626 00:37:54,533 --> 00:37:56,867 ♪ THEN HE SHOW ME HOW TO-- 1627 00:37:56,867 --> 00:37:57,533 WHAT'S UP? 1628 00:37:57,533 --> 00:37:59,500 I NEED A SECOND, BRO. 1629 00:37:59,500 --> 00:38:01,300 HEY, MAN, HOW ARE YOU? 1630 00:38:01,300 --> 00:38:02,067 DON'T KISS ME. 1631 00:38:02,067 --> 00:38:02,733 BACK UP OFF ME. 1632 00:38:02,733 --> 00:38:03,467 SERIOUSLY, BACK UP OFF ME. 1633 00:38:03,467 --> 00:38:04,267 WHAT'S THE PROBLEM? 1634 00:38:04,267 --> 00:38:05,367 THIS IS A JOKE RIGHT HERE? 1635 00:38:05,367 --> 00:38:06,067 NO. 1636 00:38:06,067 --> 00:38:06,900 THAT'S A JOKE. 1637 00:38:06,900 --> 00:38:08,100 THIS IS BEAUTIFUL. 1638 00:38:08,100 --> 00:38:08,767 THAT'S BEAUTIFUL? 1639 00:38:08,767 --> 00:38:09,433 YES. 1640 00:38:09,433 --> 00:38:10,100 YOU NEED TO FIX 1641 00:38:10,100 --> 00:38:11,167 YOUR [bleep] SMIRK IN YOUR FACE. 1642 00:38:11,167 --> 00:38:12,400 I'M NOT SMIRKING. LOOK. 1643 00:38:12,400 --> 00:38:13,867 I'M NOT TECHNICALLY TALKING 1644 00:38:13,867 --> 00:38:14,533 ABOUT THIS RIGHT HERE. 1645 00:38:14,533 --> 00:38:15,200 YOU SEE THIS? 1646 00:38:15,200 --> 00:38:15,867 YEAH. 1647 00:38:15,867 --> 00:38:18,700 I'M TALKING ABOUT THIS. 1648 00:38:18,700 --> 00:38:21,633 THAT'S A JOKE? 1649 00:38:21,633 --> 00:38:22,400 I'M ASKING YOU 1650 00:38:22,400 --> 00:38:23,233 A [bleep] QUESTION, STEVIE, 1651 00:38:23,233 --> 00:38:24,100 'CAUSE I'M REALLY SICK OF YOU. 1652 00:38:24,100 --> 00:38:24,967 NO, THIS IS NOT A JOKE. 1653 00:38:24,967 --> 00:38:26,100 THIS IS THE FIRST TIME 1654 00:38:26,100 --> 00:38:26,767 I'M SEEING THIS. 1655 00:38:26,767 --> 00:38:27,433 DID YOU KNOW 1656 00:38:27,433 --> 00:38:28,500 THIS WAS GOING IN THE COVER? 1657 00:38:28,500 --> 00:38:29,400 STEVIE MUST REALLY THINK 1658 00:38:29,400 --> 00:38:30,167 I'M STUPID. 1659 00:38:30,167 --> 00:38:31,100 AS A PARTNER 1660 00:38:31,100 --> 00:38:31,900 OF THIS MAGAZINE, 1661 00:38:31,900 --> 00:38:32,567 YOU'RE GONNA TELL ME 1662 00:38:32,567 --> 00:38:33,367 YOU DON'T KNOW WHO THE 1663 00:38:33,367 --> 00:38:34,367 [bleep] IS GOING IN THE COVER? 1664 00:38:34,367 --> 00:38:35,467 THAT'S SOME BULL[bleep], 1665 00:38:35,467 --> 00:38:36,133 STEVIE. 1666 00:38:36,133 --> 00:38:36,800 DID YOU THINK 1667 00:38:36,800 --> 00:38:37,467 I WOULD AGREE WITH THIS? 1668 00:38:37,467 --> 00:38:38,133 TELL THE TRUTH. 1669 00:38:38,133 --> 00:38:38,867 THAT'S THE CENTERFOLD. 1670 00:38:38,867 --> 00:38:39,967 THIS IS THE BEST PART 1671 00:38:39,967 --> 00:38:41,167 OF ANY MAGAZINE. 1672 00:38:41,167 --> 00:38:42,567 I WANT YOU TO OVERSHADOW HER. 1673 00:38:42,567 --> 00:38:43,600 I'M GONNA DO THAT ANYWAY. 1674 00:38:43,600 --> 00:38:44,267 THAT'S WHAT I SAID. 1675 00:38:44,267 --> 00:38:45,233 MY WHOLE THING IS, I'M UPSET 1676 00:38:45,233 --> 00:38:46,433 BECAUSE YOU TRYING TO PLAY ME. 1677 00:38:46,433 --> 00:38:47,533 YOU OBVIOUSLY KNEW ABOUT THIS. 1678 00:38:47,533 --> 00:38:48,200 YOU NEVER TOLD ME THIS-- 1679 00:38:48,200 --> 00:38:48,867 I NEED TO SPEAK TO ZINO 1680 00:38:48,867 --> 00:38:49,533 ABOUT THIS, OKAY? 1681 00:38:49,533 --> 00:38:50,200 OH, YOU NEED TO SPEAK 1682 00:38:50,200 --> 00:38:51,067 TO ZINO. 1683 00:38:51,067 --> 00:38:51,733 WHAT DO YOU MEAN YOU NEED 1684 00:38:51,733 --> 00:38:52,400 TO SPEAK TO ZINO ABOUT-- 1685 00:38:52,400 --> 00:38:53,133 'CAUSE I DIDN'T KNOW 1686 00:38:53,133 --> 00:38:53,900 IT WAS GOING DOWN LIKE THIS. 1687 00:38:53,900 --> 00:38:54,667 YOU KNEW, STEVIE. 1688 00:38:54,667 --> 00:38:55,533 YOU KNEW YOU'D DISRESPECT ME, 1689 00:38:55,533 --> 00:38:56,700 AND YOU DISRESPECT OUR UNION 1690 00:38:56,700 --> 00:38:57,367 AND OUR "MARRIAGE." 1691 00:38:57,367 --> 00:38:58,200 WE TALKED ABOUT IT, 1692 00:38:58,200 --> 00:38:59,233 BUT I NEVER SANCTIONED IT. 1693 00:38:59,233 --> 00:38:59,900 YOU TALKED ABOUT IT. 1694 00:38:59,900 --> 00:39:00,667 BUT I NEVER SANCTIONED 1695 00:39:00,667 --> 00:39:01,333 NOTHING. 1696 00:39:01,333 --> 00:39:02,833 SO YOU MEAN TO TELL ME-- 1697 00:39:02,833 --> 00:39:04,167 GIVE ME--HOLD UP. 1698 00:39:04,167 --> 00:39:04,933 YOU MEAN TO TELL ME 1699 00:39:04,933 --> 00:39:06,367 YOU TALKED ABOUT THIS COVER-- 1700 00:39:06,367 --> 00:39:07,100 LET ME FINISH, 'CAUSE 1701 00:39:07,100 --> 00:39:07,967 I DON'T WANT TO HAVE TO HIT YOU 1702 00:39:07,967 --> 00:39:08,633 ACROSS YOUR HEAD 1703 00:39:08,633 --> 00:39:09,533 WITH THE [bleep] MAGAZINE, 1704 00:39:09,533 --> 00:39:10,667 'CAUSE RIGHT NOW I'M REAL UPSET. 1705 00:39:10,667 --> 00:39:12,167 HOW DID I END UP IN THE MAGAZINE 1706 00:39:12,167 --> 00:39:12,833 WITH THE COVER 1707 00:39:12,833 --> 00:39:14,067 OF YOUR BABY MAMA IN THERE 1708 00:39:14,067 --> 00:39:15,067 TALKING ABOUT A SEX TAPE? 1709 00:39:15,067 --> 00:39:15,733 I WANT TO BE IN A MAGAZINE-- 1710 00:39:15,733 --> 00:39:16,400 YOU DESERVE THE-- 1711 00:39:16,400 --> 00:39:17,267 LET ME--SHUT THE [bleep] UP. 1712 00:39:17,267 --> 00:39:17,933 LET ME FINISH, FOR REAL. 1713 00:39:17,933 --> 00:39:18,667 HOLD ON. HOLD ON-- 1714 00:39:18,667 --> 00:39:19,400 NO, SHUT THE [bleep] UP. 1715 00:39:19,400 --> 00:39:20,067 NO, I'M NOT GONNA 1716 00:39:20,067 --> 00:39:20,933 SHUT THE [bleep] UP. 1717 00:39:20,933 --> 00:39:21,800 YOU NEED TO 'CAUSE THIS RIGHT 1718 00:39:21,800 --> 00:39:22,867 HERE IS--THAT'S DISRESPECTFUL. 1719 00:39:22,867 --> 00:39:23,533 OH, YOU NEED TO. 1720 00:39:23,533 --> 00:39:24,200 THE WAY YOU TALKING 1721 00:39:24,200 --> 00:39:25,100 TO ME IS DISRESPECTFUL. 1722 00:39:25,100 --> 00:39:25,833 THIS IS DISRESPECTFUL. 1723 00:39:25,833 --> 00:39:26,967 I DIDN'T DO--I AIN'T HAVE 1724 00:39:26,967 --> 00:39:27,633 NOTHING TO DO WITH THIS. 1725 00:39:27,633 --> 00:39:28,400 YOU HAD A LOT TO DO WITH IT. 1726 00:39:28,400 --> 00:39:29,267 I AIN'T KNOW THAT Z 1727 00:39:29,267 --> 00:39:30,133 WAS GONNA PUT MIMI 1728 00:39:30,133 --> 00:39:31,733 ON THE COVER OF THE MAGAZINE 1729 00:39:31,733 --> 00:39:33,367 WITHOUT TALKING TO ME FIRST. 1730 00:39:33,367 --> 00:39:34,600 FELT LIKE ZINO WENT BEHIND 1731 00:39:34,600 --> 00:39:36,067 MY BACK ON THIS ONE RIGHT HERE. 1732 00:39:36,067 --> 00:39:36,667 NOW JOSELINE 1733 00:39:36,667 --> 00:39:37,433 ABOUT TO RIP MY HEAD OFF. 1734 00:39:37,433 --> 00:39:38,100 YOU KNOW WHAT? 1735 00:39:38,100 --> 00:39:38,767 YOU DON'T KNOW 1736 00:39:38,767 --> 00:39:39,567 HOW TO TREAT YOUR WIFE. 1737 00:39:39,567 --> 00:39:40,300 YOU CAN'T TELL ME THAT-- 1738 00:39:40,300 --> 00:39:40,967 THIS RIGHT HERE-- 1739 00:39:40,967 --> 00:39:41,833 I DON'T WANT TO HEAR NOTHING. 1740 00:39:41,833 --> 00:39:42,500 THIS RIGHT 1741 00:39:42,500 --> 00:39:43,367 HERE MEANS NOTHING TO ME 'CAUSE 1742 00:39:43,367 --> 00:39:44,400 YOU DIDN'T DO YOUR JOB, 1743 00:39:44,400 --> 00:39:45,533 'CAUSE I ASKED YOU AND BENZINO 1744 00:39:45,533 --> 00:39:46,800 NOT TO PUT ME-- 1745 00:39:46,800 --> 00:39:47,600 YOU WOULDN'T EVEN BE IN THE 1746 00:39:47,600 --> 00:39:48,467 MAGAZINE IF I DIDN'T DO MY JOB. 1747 00:39:48,467 --> 00:39:49,133 AND GUESS WHAT, 1748 00:39:49,133 --> 00:39:49,800 IT DOESN'T MATTER. 1749 00:39:49,800 --> 00:39:51,067 [bleep] YOUR MAGAZINE. 1750 00:39:51,067 --> 00:39:52,267 [bleep] BENZINO MAGAZINE. 1751 00:39:52,267 --> 00:39:54,067 * ICE-TINTED, THREE-D 1752 00:39:54,067 --> 00:39:54,733 ♪ SEE ME 1753 00:39:54,733 --> 00:39:56,267 ♪ STONES CLEARED 1754 00:39:56,267 --> 00:39:57,067 ♪ ACE-T-C-V 1755 00:39:57,067 --> 00:39:57,800 ♪ I'M SIPPIN' DP ♪ 1756 00:39:57,800 --> 00:39:58,967 ♪ TILL I VP 1757 00:39:58,967 --> 00:40:05,767 ♪ IN WITH THIS DT 1758 00:40:05,767 --> 00:40:06,567 NEXT TIME ON LOVE 1759 00:40:06,567 --> 00:40:07,467 AND HIP HOP: ATLANTA... 1760 00:40:07,467 --> 00:40:08,867 YOU DID IT AGAIN. 1761 00:40:08,867 --> 00:40:10,567 "MIMI UNLEASHED." 1762 00:40:10,567 --> 00:40:11,300 YEAH, IT'S DOPE, RIGHT? 1763 00:40:11,300 --> 00:40:11,967 THIS WILL GET 1764 00:40:11,967 --> 00:40:13,133 ME KILLED AT HOME. 1765 00:40:13,133 --> 00:40:13,800 YOU DON'T WANT 1766 00:40:13,800 --> 00:40:15,667 TO BE PREGNANT IN A HOUSE 1767 00:40:15,667 --> 00:40:16,733 WITH A BUNCH OF DAMN MOLD. 1768 00:40:16,733 --> 00:40:18,467 NORMALLY, THE LINE IS DARKER. 1769 00:40:18,467 --> 00:40:19,133 MAYBE THAT-- 1770 00:40:19,133 --> 00:40:20,100 WHAT DOES THAT MEAN? 1771 00:40:20,100 --> 00:40:20,900 IT COULD MEAN THAT THERE'S 1772 00:40:20,900 --> 00:40:23,367 PROBLEMS WITH THE PREGNANCY. 1773 00:40:23,367 --> 00:40:25,300 I'M SO SORRY. 1774 00:40:25,300 --> 00:40:25,967 MY DADDY 1775 00:40:25,967 --> 00:40:28,067 REALLY WAS MY FRIEND, YOU KNOW. 1776 00:40:28,067 --> 00:40:28,733 I KNOW. 1777 00:40:28,733 --> 00:40:29,433 AND THEN STEVIE 1778 00:40:29,433 --> 00:40:30,967 JUST DID NOT HELP. 1779 00:40:30,967 --> 00:40:32,033 HER DAD JUST DIED. 1780 00:40:32,033 --> 00:40:33,133 I FEEL LIKE SHE'S 1781 00:40:33,133 --> 00:40:34,433 WEARING THIS SMILE 1782 00:40:34,433 --> 00:40:35,867 TO COVER UP A LOT 1783 00:40:35,867 --> 00:40:37,367 OF WHAT'S REALLY HURTING HER. 1784 00:40:37,367 --> 00:40:38,133 SO WHAT'S HURTING HER? 1785 00:40:38,133 --> 00:40:40,667 YOU GOT TO KNOW. 1786 00:40:40,667 --> 00:40:41,433 YOU. 1787 00:40:41,433 --> 00:40:43,167 ARE YOU STILL SEEING HER? 1788 00:40:43,167 --> 00:40:44,900 I AM NO LONGER CHEATING 1789 00:40:44,900 --> 00:40:45,833 ON YOU. 1790 00:40:45,833 --> 00:40:47,267 OKAY. 1791 00:40:47,267 --> 00:40:48,267 IS THAT JOC OVER THERE? 1792 00:40:48,267 --> 00:40:48,933 I CAN'T BELIEVE 1793 00:40:48,933 --> 00:40:50,000 THIS MOTHER[bleep]. 1794 00:40:50,000 --> 00:40:51,100 TOLD ME HE WAS OUT OF TOWN. 1795 00:40:51,100 --> 00:40:51,800 HE SAID HE HAD TO GO 1796 00:40:51,800 --> 00:40:52,467 HANDLE SOME BUSINESS. 1797 00:40:52,467 --> 00:40:53,700 HE AIN'T OUT OF TOWN. 1798 00:40:53,700 --> 00:40:55,367 THAT'S THAT [bleep] BITCH. 1799 00:40:55,367 --> 00:40:57,700 THAT'S MISS PIGGY. 1800 00:41:12,433 --> 00:41:13,167 WHEN GOD MADE YOU, 1801 00:41:13,167 --> 00:41:14,300 LIKE, I WONDER WHAT, LIKE--LIKE, 1802 00:41:14,300 --> 00:41:15,500 WHAT WAS HE THINKING, LIKE-- 1803 00:41:15,500 --> 00:41:16,933 YOU KNOW WHAT YOU 1804 00:41:16,933 --> 00:41:18,067 MAKE ME FEEL LIKE? 1805 00:41:18,067 --> 00:41:19,700 I'M THE QUEEN, BUT THEN YOU 1806 00:41:19,700 --> 00:41:21,167 GONNA TAKE ME TO THE DUNGEON. 1807 00:41:21,167 --> 00:41:22,600 LIKE, I SEE THE GUILLOTINES 1808 00:41:22,600 --> 00:41:23,267 RIGHT THERE IN THE BACK 1809 00:41:23,267 --> 00:41:24,100 OF YOUR HEAD. 1810 00:41:24,100 --> 00:41:26,200 "I LOVE YOU, MOMMA, BUT..." 1811 00:41:26,200 --> 00:41:30,067 YOU ARE DIFFERENT, LIKE, 1812 00:41:30,067 --> 00:41:32,200 VERY UNIQUE AND WEIRD, LIKE, 1813 00:41:32,200 --> 00:41:34,467 AND... 1814 00:41:34,467 --> 00:41:35,900 LIKE, JUST CRAZY.